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...TIME, it's like taking stock of yourself. It takes you way back in your life and makes you think of all the people you've ever known. It makes you realize how much you owe to the people who've helped you along-like George Cukor, who made me play my part in The Women in a certain way. I wouldn't have done it that way, but he was responsible for the success of that part...

Author: /time Magazine | Title: A Letter From The Publisher, Mar. 30, 1953 | 3/30/1953 | See Source »

...part of the frigid, too-neat Harriet Craig, because "I thought it would hurt me as a comedienne." It may have hurt her: six pictures later, she all but missed getting the rich, sharp-tongued comedy part of Sylvia Fowler in Clare Boothe's The Women. Director George Cukor doubted that Ros was comedienne enough for the role. She met the challenge with her usual determination by acting one scene from the script in six different comedy ways. Cukor gave...

Author: /time Magazine | Title: The Theater: The Comic Spirit | 3/30/1953 | See Source »

Director George Cukor describes Kate's early attitude toward Hollywood as "sub-collegiate idiotic." She went out of her way to insult everyone in sight, at sight. She told reporters that she couldn't remember whether she was married or not, but that she did have five children-"three of them colored." She wore a baggy sweater and patched blue dungaree pants (now a national fad but in 1932 a scandal), and read her mail sitting on the curb outside the studio...

Author: /time Magazine | Title: Cinema: The Hepburn Story | 9/1/1952 | See Source »

...season's gayest comedies, Pat and Mike benefits by George Cukor's shrewd direction, the sprightly lines of Authors Ruth Gordon and Garson Kanin, and the comic capering of Old Hands Hepburn and Tracy. Aldo Ray is amusing as a dumb boxer with a foghorn voice. There is a pungent gallery of prognathous fictional sports characters, while such real sports personalities as Babe Didrikson Zaharias, Gussie Moran, Donald Budge, Alice Marble, Frank Parker and Betty Hicks show up in person...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 16, 1952 | 6/16/1952 | See Source »

Under George (Born Yesterday) Cukor's direction, Judy Holliday is still playing dumb Billie Dawn, while Newcomer Aldo Ray is just a nice husky guy with an even huskier voice. The plot reconciles them at the end on the questionable grounds that they have a way of life worth saving, but by that time the wordy script has divorced itself from its theme...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 17, 1952 | 3/17/1952 | See Source »

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