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DIED. SIGNE HASSO, 91, Swedish-born stage and film star of the '40s and '50s, best known for her role in George Cukor's A Double Life, in which she played the wife of an actor (Ronald Colman) obsessed with his role as Othello; in Los Angeles...

Author: /time Magazine | Title: Milestones Jun. 24, 2002 | 6/24/2002 | See Source »

...appear in the release version of "Kong." (Later I heard the story: producer-director Merian C. Cooper had cut the sequence after the first preview. It seemed to him that it had stopped the picture cold.) Like Welles' cut of "Ambersons" or the original release print of Cukor's "A Star Is Born," the spider sequence has passed into the Missing Cinema Hall of Fame. It is still the subject of Internet rumours 78 years after it was first reported missing; the web fanatics insist it will appear on the long-delayed American...

Author: /time Magazine | Title: Monkey On My Back | 3/9/2001 | See Source »

...live next door to each other, and for years, she and the very married Tracy kept company but never lived together, never went out together. Only when he fell ill, after years of binge drinking, did she retire from films to care for him at the estate of George Cukor, where they lived. After he died, she called his wife and said, "You know...you and I can be friends." "Well, yes," Louise Tracy said, "but you see, I thought you were only a rumor...

Author: /time Magazine | Title: When Love Was The Adventure | 6/14/1999 | See Source »

...affairs with many of them). Through his eyes, as reconstructed by Mann, we see the increasingly hidden world of early gay Hollywood: the actors--Cary Grant and Randolph Scott, Claudette Colbert and Marlene Dietrich, Greta Garbo and Ramon Novarro--and the people behind the scenes, such as director George Cukor and jet-setting composer Cole Porter, the two focal points of gay male Hollywood society in the 1930s...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Bio of Gay Actor Gives Rich Portrait of '20s Hollywood | 3/20/1998 | See Source »

...about the enticements and confinements money imposes on the young--its return looks opportune. Between its first appearance and the latest, however, something seemingly bigger than a Depression (or a world war or a revolution in social mores) has arisen to obstruct its revival: a movie. In 1938 George Cukor directed Katharine Hepburn and Cary Grant in the leads, and they placed their stamp on the roles--indelibly...

Author: /time Magazine | Title: THEATER: EVER AFTER | 12/18/1995 | See Source »

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