Word: culkin
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Dates: during 1990-1999
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...BOTTOM LINE: Macauley Culkin plays against type in a no-frills thriller that grippingly evokes primal fears...
...another nasty, not entirely uncommon fantasy. What if a child's normal mischievousness -- a compound of forgivable prankishness, a bit of secretiveness, some expectable sibling rivalry -- is not just a boyish phase? What if it is actually the first sprouting of a very bad seed? Meet Henry Evans (Macaulay Culkin). Who would believe that polite, sweet-smiling Henry is actually the devil's spawn? Not his doting parents, who are still grieving over the presumably accidental death of his younger brother. Not his visiting cousin Mark (Elijah Wood), who is also in mourning for his recently deceased mother and eager...
TELEVISION Conan O'Brien brings a fresh face but a familiar style to late night. CINEMA Adorable Macaulay Culkin plays a bad seed in The Good Son. Into the West is a fairy tale of modern Ireland. MUSIC John Mellencamp's new album is part small-town twang, part urban soul and all American. Lord Byron, Virgil Thomson's last opera, is not Byronic enough. BOOKS A first novel by Frank Conroy needs a sound track...
...famous friend Elizabeth Taylor jetted to Singapore, the tour's next stop, to give moral support. The Los Angeles police had already searched Jackson's Santa Ynez ranch for lurid videotapes; one report said nothing incriminating was found. The police were questioning other lads, supposedly including child star Macaulay Culkin. And when will results be issued? "It could be tomorrow, it could be two months from now," said L.A.P.D. spokesman Arthur Holmes. "We solve no crime before its time." This is Hollywood, folks; everyone speaks Show...
Well, it worked, this story of a cute blond boy (Macaulay Culkin, the onscreen key to Home Alone's popularity), abandoned by his parents, who triumphantly foils a housebreaking criminal and wins the love of the crusty codger who lives next door. (It worked so well that Hughes Xeroxed the plot for Dennis the Menace.) It worked, Hughes believes, because "successful movies tend to reflect the opposite of American life. The more ugly and violent the streets become, the more people want to escape that reality...