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...Birgit Cullberg is a bun-haired, 51-year-old Stockholm matron who once planned to be a librarian. But while she was studying literature at the University of Stockholm, she discovered that cataloguing was not really her game: at the remarkably late age of 25 she gave it up to become a dancer. Since then, as one of Europe's most talked-about choreographers, she has been busy constructing her own five-foot shelf of bibliophilic ballets: Medea, Romeo and Juliet, Miss Julie. Last week she was in Manhattan to witness the premiere by the American Ballet Theatre...

Author: /time Magazine | Title: Music: Seaside Ballet | 5/2/1960 | See Source »

While Ibsen required five acts to get his point across, Cullberg managed it in a few taut, well-constructed scenes. The curtain rose on a pony-tailed Ellida (Lupe Serrano), her back to the audience, her gaze fixed yearningly on a sea-green curtain. Presently the sailor (Royes Fernandez) appeared and, in a sequence of broad, sweeping movements, lured Ellida into a seductive dance that had the two of them writhing like a couple of fighting fish. The ballet's high point: a dream sequence in which the corps de ballet, got up to look like ocean creatures, came...

Author: /time Magazine | Title: Music: Seaside Ballet | 5/2/1960 | See Source »

...Birgit Cullberg feels, she has only begun to tap the library. "Dance movement," says she, "can express things not talked, not possible...

Author: /time Magazine | Title: Music: Seaside Ballet | 5/2/1960 | See Source »

...other Ballet Theatre new works, Swedish Choreographer Birgit Cullberg's Miss Julie was an unqualified success. Long popular in Europe, Miss Julie sticks closely to August Strindberg's savage little drama of the same name about a neurotic, highly sexed "half-woman" who seduces her family's butler during a wild celebration of Midsummer Eve. Shamed by the images of her aristocratic ancestors, she forces him to kill her. (In the original she commits suicide.) Danced by Violette Verdy and Erik Bruhn, it successfully translated the purely psychological tensions of the original into movement that was both...

Author: /time Magazine | Title: Music: Tristan & Julie | 10/6/1958 | See Source »

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