Word: cults
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Dates: during 1960-1969
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...SAINT (NBC, 10-11 p.m.). Simon Templar (Roger Moore) encounters a cult that worships Rome's glories in "The Man Who Liked Lions...
Baked Images. Little Big Painting is a gibe at the high seriousness that surrounded the cult of the brush stroke by the abstract expressionists. "The original brush stroke was a romantic outpouring," explains Lichtenstein. "Here I'm making a simulated brush stroke, but I've removed the idea of something full of passion." He believes that painting in an era of mass media should be impersonal. To heighten this effect, he has even had some of his works executed in porcelain enamel baked on steel panels, turned out these works in editions of six to eight...
...when he writes in an adaptation of Juvenal, "What do you hope from your white pubic hairs," it is not just another attempt to render Latin into English verse, but to say something sharp and contemporary about how the current U.S. cult of youth and happiness, through sex, bears down heavily on older...
During the '20s, Georgina dances in a kind of Cotton Club revue up in Harlem until the Depression, presumably white-inspired, puts her out of work. The never-aging lovers tiff as Clem takes up the cause of the Negro, while Georgina relentlessly pursues her personality cult to stardom. In a phenomenally unsurprising ending, Clem, now a civil rights leader, clinches with Georgina, who has tasted the empty celebrity worship of white sycophants...
...SNCC's home of Atlanta, and in Black Belt colleges, Carmichael has found a perplexing and almost insurmountable problem in recruiting 24-hour-a-day, seven-day-a-week revolutionaries from the Negro middle-class. Behind Carmichael, the leadership cult is pre-occupied with presenting an image of bitter coolness. SNCC has rejected intellectualism -- the notion that Negroes must obtain certain credentials and legitimacy from education to be meaningful to the Negro community -- as bourgeois and escapist...