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Perhaps what makes the French’s claim so ridiculous, then, is not the notion that gastronomy could be preserved as a cultural heritage, but the arrogance of their grand call to preserve all of French cuisine. The category “French cuisine” is ambiguous to...

Author: By Rebecca A. Cooper, CONTRIBUTING WRITER | Title: Is Justice Blind and an Aguesiac? | 10/3/2008 | See Source »

According to the UNSESCO convention, an Intangible Cultural Heritage, by definition, exists only in relation to the members of its community. If we assume the best of the French for a moment, then protecting French cuisine may be much more about protecting and promoting the people involved than it is...

Author: By Rebecca A. Cooper, CONTRIBUTING WRITER | Title: Is Justice Blind and an Aguesiac? | 10/3/2008 | See Source »

But what should be done in the future if a proposal to, say, preserve the African Civet-roasting techniques of people deep in the forests of Zanzibar reaches committee? UNESCO would be wrong to shoot the proposal down purely because it’s related to gastronomy. Sure, the French...

Author: By Rebecca A. Cooper, CONTRIBUTING WRITER | Title: Is Justice Blind and an Aguesiac? | 10/3/2008 | See Source »

In dealing so directly with issues of language in his work, what Xu quite ironically does is address the issue of cultural translation as well. He gives power to the belief that issues of relatability to Western audiences are not insurmountable, and in fact have cultural precedent within China. Standard...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: Self-Aware Chinese Art Begins to Break Down Walls | 10/3/2008 | See Source »

This is bilingual art. This is progressive art. If this is not truly modern art, I’m not sure what is. Xu’s is art that accepts flawless cross-cultural translation for what it is—an impossibility—and therefore embraces the inevitability...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: Self-Aware Chinese Art Begins to Break Down Walls | 10/3/2008 | See Source »

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