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Empire, Lynch says, is "about a woman in trouble." But even by the standards applied to Lynch's films, which exist in their own genre of weird, Empire is a doozy. It's three hours long, with no real plot, but rather a Greek chorus of Valley Girls cum crack whores, scenes of rabbits watching TV and Dern playing three different characters. At least three; Dern's not sure. "Once David said there were four, and I was like, Wait a minute--what?" she says...
...thesis titled “’If Answerable Style I Can Obtain...’: An Analysis and Account of Illustrating Paradise Lost” — a film noir-style graphic rethinking of John Milton’s classic poem, which won Chiang a summa cum laude reading and a Hoopes Prize. Damrosch remembers Chiang as one of his all-time favorite students because of his “no bullshit” attitude and self-confidence, he says. Not knowing how to apply his joint degree, Chiang applied to law school, and even though...
...stars (Interscope) Watching Gwen Stefani, one sometimes gets the sense she is on a quest to win a series of awards that exist only in her head: Least Comprehensible Number One Hit You Will Never Get Out Of Your Head (2004’s fight-song-cum-spelling-lesson “Hollaback Girl,” off her solo debut “Love.Angel.Music.Baby”), Most Discomfiting Use Of Actual People As Fashion Accessories (her so-called Harajuku girls, contractually forbidden to speak English in public), and of course the Madonna Wannabe Award For Utter Lack...
...only off-putting thing is the menu's achingly earnest foreword-cum-manifesto: "We strive to raise awareness of a more sustainable food future ..." But that's quickly forgiven once the consistently fine food is on the table. And all the preachiness is totally forgotten by dessert. The heavenly sweets?hot chocolate soup, a "conversation" of apple tarts and sorbet?are listed on the menu under the utterly appropriate heading "Encore." That's exactly what you'll be cheering after a couple of hours in the Dressing Room...
...Nieman Foundation for Journalism. The fellowship supports investigative projects that exemplify Chris Georges’ commitment to in-depth reporting on issues of enduring social value and the human impact of public policy.Chris Georges ’87 was an executive editor of The Crimson and a magna cum laude graduate of the College. As a reporter in The Wall Street Journal’s Washington bureau, he covered politics, economics, and budget issues. Three of his stories on the welfare system were nominated for a Pulitzer Prize in 1997. Georges also served as editor of The Washington Monthly...