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...nauseatingly clear: Charlotte forces her way through a dance floor “between the revelers, who bobbed and shrieked and ululated and exulted in bawling music drunken screaming stroboscopic girls in slices boys dry-humping in-heat bitches he’s not cool got little dickie his cum dumpster is what she is oh fuck that sucks it’s so ghetto scarfed a whole line with a green straw from the heel of her Manolo gotta get laid...

Author: By Joe L. Dimento, CRIMSON STAFF WRITER | Title: Book Review: I Am Charlotte Simmons | 12/3/2004 | See Source »

Moments later—following Brian Edwards’ fumble-cum-punt return touchdown—came another thump on the shoulder, this one considerably more forceful...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: McGINN 'N TONIC: Revisiting Harvard Football Etiquette | 11/23/2004 | See Source »

...well as several twin-bed "art rooms" designed by young, up-and-coming conceptualists. There's everything from the stark sculpture of Nicolas Touron, who has covered the walls of room 407 with 600 kg of "crooked ceramic objects," to the installations of Orna Wertman, whose giant jigsaw puzzles-cum-installations plaster room 503. In hotels like these, life does indeed imitate art. tel: (31?20) 623 1380; www.winston.nl

Author: /time Magazine | Title: Dutch Masters | 11/18/2004 | See Source »

...poet Tristan Tzara in 1922, when the subversive art form was in its heyday. Yet nearly a hundred years later, people are still visiting the nerve center of this willfully useless movement. In 1916 the German poet Hugo Ball, who lived in Zurich at the time, opened a caf?-cum-theater called Cabaret Voltaire, where Tzara, Hans Arp and other nonconformist artists gathered. It was in the Cabaret's upstairs room that the group is said to have decided to find a name as incongruous as their free-form art. They randomly inserted a knife into a French-German dictionary...

Author: /time Magazine | Title: Dada's Birthplace | 11/15/2004 | See Source »

...Tristan Tzara in 1922, when the subversive art form was in its heyday. Yet nearly a hundred years later, people are still visiting the nerve center of this willfully useless movement. In 1916 the German poet Hugo Ball, who lived in Zurich at the time, opened a café-cum-theater called Cabaret Voltaire, where Tzara, Hans Arp and other nonconformist artists gathered. It was in the Cabaret's upstairs room that the group is said to have decided to find a name as incongruous as their free-form art. They randomly inserted a knife into a French-German dictionary...

Author: /time Magazine | Title: Dada's Birthplace | 11/11/2004 | See Source »

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