Word: cunninghamã
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...Heidi Chronicles,” “Uncommon Women,” and “Old Money.” The portrayal of the perplexing nature of female depression in “Friends with Money” seems to echo Michael Cunningham??s book and 2002 screenplay “The Hours.” At the same time, this movie strives for the sexual humor and heart-warming friendship of “Sex and the City”—unsurprising in that Holofcener directed several episodes of the seminal show...
...Cunningham??s interest in the virus evolved from his, and the other researchers’, interest in how retroviruses infect cells, he wrote in an e-mail...
...HOURS. This adaptation of Michael Cunningham??s Pulitzer-winning novel is unapologetically Oscar bait, backed by a triumvirate of A-list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged...
...HOURS. This adaptation of Michael Cunningham??s Pulitzer-winning novel is unapologetically Oscar bait, backed by a triumvirate of A-list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged...
...HOURS. This adaptation of Michael Cunningham??s Pulitzer-winning novel is unapologetically Oscar bait, backed by a triumvirate of A-list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged...