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...creme of contemporary American artists, writers, filmmakers, dancers and musicians to Parisian audiences. Over the years it has been a hangout for Ernest Hemingway and Gertrude Stein and has served as host of performances by the likes of John Cage, Samuel Beckett, Philip Glass, Steve Lacy and Merce Cunningham. In 1987 the center sold its dilapidated headquarters on the Boulevard Raspail and embarked on an ambitious building program in the Bercy region of eastern Paris. And that's where all the trouble really began...

Author: /time Magazine | Title: DESIGN: An American in Paris | 6/13/1994 | See Source »

...Race. Deion Sanders thinks this a key reason--and I believe him. Despite the accomplishments of Doug Williams, Randall Cunningham and Warren Moon, a racist myth prevails: blacks aren't smart enough to be quarterbacks. They lack the "necessities," as Dodger executive Al Campaigns once put it, referring go black managers...

Author: By Justin R.P. Ingersoll, | Title: Ward Deserved Better | 4/28/1994 | See Source »

...programs reflected just how thoroughly modern Misha's enthusiasms are. The dances range from company member Kevin O'Day's first choreography to Signals, an early '70s work by Merce Cunningham that has gone through many versions. In fact, the 75-year-old Cunningham went at it again: new score, new costumes and, as always, moves that fluctuate mesmerically...

Author: /time Magazine | Title: DANCE: Thoroughly Modern Misha | 3/14/1994 | See Source »

Signals is a good example of why White Oak's eclectic programming works -- and may be a harbinger of dance's future. Unlike virtually any other choreographer, Cunningham thinks in terms of neither music nor steps but segments of time. "Given 10 seconds," he says, "the dancer has to define the phrase and accent something within the time." An evening of Cunningham can be bewitching. But it is only when one sees one of his pieces alongside the choreography of others that one appreciates just how different in weight and shape his work really is. Cunningham says he created Signals...

Author: /time Magazine | Title: DANCE: Thoroughly Modern Misha | 3/14/1994 | See Source »

...cardinal rules of plastic, I've got to tell you about this little gimmick. I'm a fan of AT&T, so I have mixed feelings about revealing it. But until they close the loophole, how can I resist? It wasn't my idea; it comes from Denny Cunningham, a sharp-eyed user of my computer program. And it's this simple: if you have an AT&T Universal MasterCard, as 11 million of us do, and if you pay your balance in full each month, there's no interest charge on cash advances. Just a 2.5% service charge, with...

Author: /time Magazine | Title: Money Angles: Beware the Plastic Loan Shark | 1/10/1994 | See Source »

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