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...photographs that were organized, beautifully composed. Strand was the turning point. I came home thinking, 'Now photography exists!' " Soon afterward he met Edward Weston and saw his work. What came out of these meetings was Group f/64, formed in San Francisco in 1932, consisting chiefly of Weston, Imogen Cunningham, Willard Van Dyke and Adams...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

Marian's man (Lee Richardson) is a promiscuous boulevardier who swings both ways. Louise's former husband (John Cunningham) is a likable fellow, pugilistic only during the marital mismatch. Estelle's man (Graham Beckel) lives in an orphanage of the mind except that he now has a Du Pont to bail...

Author: /time Magazine | Title: Theater: Empty Bed Blues | 7/2/1979 | See Source »

...Pittsburgh Steeler Wide Receiver Lynn Swann, 27, ran an unfamiliar pattern down the aisle of Hollywood's United Methodist Church to wed a comely model and Santa Monica College student, Bernadette Robi, 21, with assistance from beaming teammates and friends like Franco Harris, O.J. Simpson and Sam ("Bam") Cunningham. As part of the mostly traditional ceremony, Swann, who writes poetry on the sidelines, recited one ditty composed for his bride ("My soul is your soul and time is our instrument to build life upon love"). He also explained the Swanns' way: "We're both very oldfashioned. That...

Author: /time Magazine | Title: People, Jun. 25, 1979 | 6/25/1979 | See Source »

...Hear Me/Smash the Mirro." She precisely evokes a bizarre combination of tender motherly concern and guilt-inspired anger. And as an extra bonus, Woo develops her character without overacting in the moments when she is not singing: a job the other actors find difficult to do. Bob Cunningham, as Nora's lover/accomplice Frank, sings adequately. Once away from the mike however, he presents either exaggerated venom or a sense of being out of place. Lowell McKelvey, as the young Tommy, is supposed to look like an ingenuous child. Sure enough, he looks like one. He even speaks acceptably...

Author: By Thomas M. Levenson, | Title: One More For Keith | 5/2/1979 | See Source »

...performance halls necessary to establish a devoted audience following. For this reason dance troupes have, for the past several years, collaborated in dance festivals featuring a few name companies interspersed among local and experimental troupes. The most famous such festival, New York Dance Umbrella, has used groups like Merce Cunningham and Martha Graham as its "anchor" companies; for the most part, these festivals have so far been unsuccessful in Boston...

Author: By Michael E. Silver, | Title: Dancing the Night Away | 4/19/1979 | See Source »

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