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...there was a more general sense of ferment at Black Mountain, because the composer John Cage and his friend Merce Cunningham, the dancer-choreographer, were among the innovators living there. If it can be said that advanced art in America through the '50s and early '60s had one single native guru, that man was Cage: at once the most avant-garde and the most transparent of composers, the Marcel Duchamp of music, the man who erected combinations of silence and random sound into an aesthetic strategy in order to give art the inclusive density of life. It was Cage...

Author: /time Magazine | Title: The Most Living Artist | 11/29/1976 | See Source »

...Imogen Cunningham, through Nov. 6 Amazing photographs by an amazing woman. Cunningham's sensitivity to pattern, form and light, and her mastery of photographic technique, make ordinary rocks into intricate mysteries...

Author: By Eleni Constantine, | Title: GALLERIES | 10/28/1976 | See Source »

...only been in here a couple of times all year--I've been honoring the strike," says Ellen Cunningham, a Brown sophomore. Cunningham and, by current estimates, up to two-thirds of her fellow Brown students, have been observing a boycott of the university's libraries, initiated by the 60-member student strike support group, Students in a Vise, at the beginning of this semester...

Author: By Richard S. Weisman, | Title: Brown on Trial: 'We're going to resist them every inch of the way.' | 10/22/1976 | See Source »

Quarterback Grogan. New England's running backs have likewise benefited. Fullback Sam ("Bam") Cunningham is off to what could be his best year ever, carrying for 308 yds. in four games. Quick-off-the-ball Andy Johnson is just a few steps behind Cunningham as a rusher. Both are effective receivers as well-Cunningham alone has 14 catches-but it is their speed in cannonballing through holes opened by the line that makes for yardage and scores...

Author: /time Magazine | Title: Sport: New England: Patsies No More | 10/18/1976 | See Source »

...drama that "Greek Lady, 1959" shows. Her recent portraits have left black and white tragedy for what seems a puppet stage. Her precisely-composed arrangements disconcert. A personage like Vionnet may be thought of in terms of pure design, color, fashion and grooming, but it somehow reduces Imogen Cunningham to see her elfed in this very miniature lens. Ezra Pound's hands, large and blurred between his knees in front of the camera, couldn't be frozen...

Author: By Eleni Constantine, | Title: galleries | 9/30/1976 | See Source »

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