Word: cupidities
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...play Earnest, is a wonderful mix of European fin-de-siecle charm and the exoticism of the East. Long silk saris drape the fabric wall paper of this 19th century English drawingroom. A hookah adorns the mantelpiece, and a Gaugin-like scene of Tahiti floats above a Rodin-like Cupid. Set Designer Nithya Raman '02 has adroitly brought an exotic, mystical flavor to her European interiors. Her designs emphasize the distinction between the familiar and the foreign in this play about mixed identity, truth and lies. Hood's production is fundamentally solid, with humorous performances throughout and an innovative explication...
...Overhead, lights are just swinging into place over the balcony's edge. A crowd of performers is milling in the wings, brocaded and beribboned. In the pit a harpsichordist is bent over his instrument like a hermit at his orisons, wielding the tiny crucifix of a tuning key. A Cupid darts across the unclothed scene, her bow unstrung and one wing dangling. Someone jostles the stringed spear of a chitarrone, and two primped and padded militaries saunter on stage left. This is the dress rehearsal of Cavalli's Giasone, a baroque opera put on by the Harvard Early Music Society...
...Cavalli's Giasone, written in 1649, was sort of a blockbuster back in the Italian seventeenth-centry. The libretto is the usual pastiche of bickering deities and hobnobbing heroes, loosely based on the story of Jason and the golden fleece. Cupid and Fate are having a quarrel about which one most controls mens' lives, and they cause amorous chaos among the mortals. Giasone, Aegeus, Medea, Hypsipyle and their servants mill about in confusion and slapstick till at last, all sung out and snugly paired off they come to a happy closing...
...they met: By-the-book Harvard romance. But forget the clich‚ first glance in Annenberg Hall. Schoenberger and Zimmerman met Freshman Week, at the President's Barbecue. Rustin C. Silverstein '99, a mutual friend and also a Crimson editor, played Cupid for the pair, providing the initial introduction. Three days after the barbecue they were an item...
...reason," he says. "I did Judith Krantz's Till We Meet Again. I was the villainous half-brother Bruno, who rapes Courteney Cox and steals all the family champagne and gives it to the Nazis--fantastic. And there's a very good one based on the Barbara Cartland novel Cupid Rides Pillion. I was the highwayman. When I'm uncomfortable in a role, my voice goes high, so it's quite amusing to see me jump out of the bushes with all my sexy gear on and say"--he squeaks--'Stand and deliver...