Word: cures
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Dates: during 1990-1999
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...Gulf War Syndrome is still difficult if not impossible. Pentagon officials insist the vaccine, licensed by the FDA since 1970, is safe and effective. With UN inspectors still certain that Saddam Hussein is hiding anthrax powder, the Pentagon believes the benefits of prevention outweigh questions about the cure...
...beginning of the encore, Smith apologized for the short length of the set (as a result of having two opening-acts to suck away time) and gave the audience two tracks that went way back into the Cure's infancy. "10:15 Saturday Night" and "Killing and Arab" reached back to 1979 and ended a triumphant night for the Cure. Although the band's popularity has waned from their 80s heyday, the Cure proved that their musical prowess...
Although coming to Boston in promotion of their recent singles compilation, Galore, the evening's 18-song set represented a broad cross-section of The Cure's history. The uniqueness of playing in a tiny venue like the Orpheum was not lost on the band. Smith laughed and smiled throughout the night, clearly reveling in the crowd's enthusiasm and intimacy. Aside from occasional smoke bursts from the stage and bassist Simon Gallup's running around, the night was not marked by theatrics but rather by the band's tight performance...
During the course of the night, the Cure moved around from poppy hits like "Just Like Heaven" to harder-edged cuts like "Shake Dog Shake" and extended the set to moody guitar-driven songs like "Pictures of You." As the show progressed, the band seemed to get more and more comfortable. Smith threw some silly dances into the mix and the band joked on stage between songs...
...string acoustic guitar. "Just Like Heaven" from 1987s Kiss Me, Kiss Me, Kiss Me burst with the joyous energy coming from Smith's vocals and bouncy guitar strumming. "The Same Deep Water As You" and "From the Edge of the Deep Green Sea" followed and put all of the Cure's talent on display. "From the Edge of the Deep Green Sea" was wound up and presented with the beautiful interplay between Gallup's bass guitar and the guitars of Smith and Perry Bamonte. Smith held the song down with delicate guitar picking and clever use of his effects pedal...