Word: currently
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Dates: during 1970-1979
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...most--the spectacle of that painted statue parading down Salem St. with hundreds of howling citizens begging to pin whatever they can afford onto its breast is both repelling and gracious. In America, money seems to accomplish more than prayer, and the religious festival originated in its current form at the turn of the century, when Little Italies sprawled across cities like Boston and New York, full of poor but faithful immigrants...
STRATFORD, Conn.--When the American Shakespeare Theatre opened here in 1955, it offered productions of Julius Caesar and The Tempest. Whether by coincidence or design, the current season consists of the same brace of plays, augmented by a revival of last summer's staging of Twelfth Night...
...Morton (whom Bostonians will remember for his central role of Mr. Geeter in the long television series Watch Your Mouth, shown last year on WGBH) is giving the one outstanding performance in the current Tempest. With the splotchy face and long nails referred to in the text, Morton has worked out a fully rounded characterization. He crawls on his belly, he walks with a special bow-legged gait, and he indulges in puling vowels and animalistic exhalations of spleen. He knows how to emphasize the explosive consonants with which the dramatist peppered his part, and he displays a splendid singing...
...also in demand. Chicago Designer Roberta Jakus' "Roller Rinx" line of satin, spaghetti-strap tank tops and shorts and jackets are selling at $43 per outfit. One manufacturer is preparing a line of skates that look like cowboy boots but carry a city slicker price tag: $200. A current fashion at roller rinks is old skate keys color-plated with disco colors and hung around the neck with gold chains or satin ribbons. A charming bit of nostalgia for those whose hearts (and pocketbooks) remain with the old metal skates of childhood...
...haggard. For ten years Montana ran the Shack as a desultory go-go spot for males. Then in 1976 she decided to try exotic male dancers, insisting on a "classy, sophisticated, macho" program that would appeal strongly to women but would discourage gay customers. She has succeeded: the current stage show appears to strike the right sensual chords for women of all ages but attracts few male patrons. The revue also hits the right cash register keys: 150 to 200 customers flock to each performance. The audiences seem a notably wholesome and ordinary cross section of women. Entire tables...