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...trophy room" is off the foyer. The walls are covered with gold and platinum albums and singles. Mahogany cases, the kind museums use for displaying rare manuscripts, glint with gold and platinum. Jackson walks me to the screening room. The walls and the curtain drawn across the screen are teal blue. The 32 seats are upholstered in red velvet. In the den is a horseshoe-shaped viewing area, with a couch facing a fireplace and a builtin television set. Another large clock with Roman numerals hangs above the mantelpiece. Off the den is a mahogany bar under a leaded stained...

Author: /time Magazine | Title: Show Business: He Hasn't Gone Crazy over Success | 3/19/1984 | See Source »

...smoke. In an odd way this takes the curse off what is really voyeurism. For a dozen pages or more, the reader sees so closely that he wants to excuse himself, to clear his throat so the figures in the drama will know he is there. Then the curtain closes abruptly, and he is left to brood about why psychological insulation burned through at just such a time and place, with precisely these results...

Author: /time Magazine | Title: Books: Dead Souls | 3/5/1984 | See Source »

...California-born, Oregon-tempered Johnson seems younger and less reflective at 23. Since high school, he has known no home other than the next mountain town, but when asked if any part of him regrets that, he blinks and says, "No, are you kidding?" Besides parting the Alpine curtain, earning the U.S. its first downhill medal, giving the Austrians in particular the back of his skis, Johnson provided the Olympics a towheaded Joe Namath. "There's no doubt," he repeated through a blizzard of postponements. "I'm going...

Author: /time Magazine | Title: Sport: Something to Shout About | 2/27/1984 | See Source »

...trumpeted out I Got Rhythm-and held a high C for 16 bars-the roar of the crowd was hers forever. When she died last week, after a career that included 14 musicals, and not one singing lesson, Broadway's theaters dimmed their lights for a minute at curtain time. As Merman once said: "Broadway has been very good to me-but then, I've been very good to Broadway...

Author: /time Magazine | Title: She Had Rhythm and Was the Top | 2/27/1984 | See Source »

...Estree, a non-resident religion and drama tutor at Currier and a technical director of Agassiz Theatre, clearly put a great deal of effort into making the performance a powerful experience for his audience. From the opening scenes in which the actors recite scriptural invocations to the pre-curtain yoga preparation, the play succeeds in establishing a profoundly sacred tone. And though many of the special effects d'Estree uses initially seem overdone and tritely symbolic, in the end they actually work to enhance the aura of authenticity the actors attempt to create...

Author: By David B. Pollack, | Title: Foreign Cultures | 2/24/1984 | See Source »

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