Word: curtains
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Dates: during 1920-1929
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After they have decided what they think about the curtain, and inspected the broad shallow horseshoe of boxes to see how many and which Insulls, McCormicks, Ryersons, Fairbankses, Fieldses, Cranes. Swifts, Thornes and family jewels are present, Chicago first-nighters will see the black-haired girl and her white camels vanish upward (the stage ceiling is supported by a 73½ foot steel truss, the largest ever used, capable of carrying more than 11,000,000 pounds). After Conductor Giorgio Polacco has become a shadow in a bowl of shadow, his shirtfront and the tip of his nose touched with...
After the curtain has come down again, talk will be of the season's ensuing events and prospects. Outstanding Chicago opera talk will or should...
...girl and her companions, painted on the steel curtain of the Chicago Civic Opera's new $20,000,000 opera house, compose an exciting pattern of "figures from familiar operas." Familiar though the operas may be, the figures are unfamiliar. They toss fruit, banners, lanterns, cymbals. Among them strut farm animals. All is barbaric, lyric, crowded, for carnival is being made or perhaps a victory celebrated; perhaps the victory of opera in Chicago...
Looking at their new opera curtain before it rises for the first time Monday night, Chicagoans may be reminded of another design, just as elaborate and colorful but more serious and a million times as big. To sketch this second design adequately requires a good-sized map of the U. S. The sketch can begin almost anywhere-on the coast of Maine, in Florida, or at the bottom tip of Texas. There is an irregular quadrilateral of it in North Carolina. A vast, nearly solid mass of it spreads east, west and south from Chicago. There are patches...
Compared to this second design, the fantastic curtain revel-in fact the whole Chicago opera organization-becomes no more than Punch-&-Judy. Yet it is Punch-&-Judy on the very largest scale. To make the scale larger, the Chicago company is sent, in the Insull manner, all over the country on tours; not special engagements in a few big cultural capitals like Baltimore, Washington, Atlanta and Cleveland where Otto Hermann Kahn's Metropolitan goes; but country-wide expeditions-Boston, Buffalo, Columbus, Nashville, Birmingham, Jackson, Dallas. San Antonio, El Paso, Phoenix, Los Angeles, Fresno, Sacramento, Oakland. Amarillo, Tulsa, Lincoln...