Word: curtains
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Dates: during 1920-1929
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Presently the curtain rises again on the small lobby of the Commercial House in Herrington. The girl an ingenue, well played by Miss Mayo Methot, has been taken under the wing of the proprietress, while the quondam hobo who saved the former and has since fellen in love with her, has found a job and sufficient prospects for an early marriage. Enter the deacon with as smooth a piety as his legerdemain at cards. The audience, as the action proceeds to draw forth an unquestionably real and homely set of characters, is at a loss to know what to expect...
...play, in addition, is curiously constructed, some may say poorly construct- ed, for the curtain comes down at the end of a first act provoking interest by its lack of dramatic climax. The second and third acts hold the attention remarkably. The suave scheming deacon, a lovable hypocrite and generous to a fault, is pivot; and Mr. Berton Churchill acts his sanctimonious role to perfection, while with nimble wit and deft fingers he wins himself, the girl, the hobo, and the proprietress out of dangerous holes. Then there are the villains, well drawn, better acted, and best cast...
...Holders. As feudal barons clung to their castles and patents of nobility, so the elect of Manhattan's social register cling to the boxes of the Metropolitan. This year Box 31 and Box 35 will be empty when the opening curtain rises upon Giaconda. Not seeing Mrs. Vanderbilt in 31, operagoers will recall the recent death of her son, Reginald C. Vanderbilt. And J. P. Morgan's absence from Box 35 will recall to many that Mrs. Morgan died last July...
There sits His Majesty on a carpeted dais. Over his head a monstrous curtain is furled with droops of golden cable. His crown rests beside him; a sceptre leans in the crook of his arm; a sword is propped against his leg; the royal coat of arms, painted on the wall, has the look of an automobile trademark. And in the stiffness of the paper-doll body under its innumerable ribbons, sashes, badges and magnificent sweep of falling draperies-in the exaggerated dandyism of the spindling white-stockinged legs, in the pointed hands, in the dainty bearded face, burns...
...Vuillard's comfortable "Woman in Front of a Fireplace"; a curiously enervated drawing by Matisse; work by Menard, Besnard Danchez, Le Sidaner, Blanche; a full length painting by witty Guy Pene Du Bois of a nude woman seen from behind while she peeps through a slit in her curtain window at something in the next room...