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Word: curvilinears (lookup in dictionary) (lookup stats)
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...Curvilinear iron detail and imaginative roof profile...

Author: By Mary G. Gotschall, | Title: A Landmark Decision | 4/8/1978 | See Source »

...register chose to include the kiosk because of its well-preserved "curvilinear iron detail and imaginative roof profile," Guzzi added...

Author: NO WRITER ATTRIBUTED | Title: MBTA Kiosk Named an Historic Place | 4/4/1978 | See Source »

...another player. (For instance: "On ??? to/ meet the astrologer/ 1 noticed my fly/ ??? down"). Loewinsohn plays it like he rode that ???cycle: real cool. "How can a girl with such a ???lly be so desirable?" he asks in the poem ???, Loewinsohn andc," then dubs the Lady. "Venus ???usseldorf, curvilinear, oviform," For an epi??? to the last group of poems in the book ???ok of Ayres," after Thomas Campion). he ???unces. "I need to take a new tack./ and sit on it." ??? success of this kind of poem depends entirely ??? quality of the surprise. Sometimes the sur??? is a little...

Author: By Elizabeth R. Fishel, | Title: Meat Air | 5/1/1970 | See Source »

...modernist" or "Moderne." But Clothes Designer Lewis Winter, one of the style's leading collectors, makes a distinction between Deco and Moderne. From 1918 to 1925, when Paris held a mammoth International Exposition of Decorative Arts, the style was more Deco, which he defines as graceful, rococo and curvilinear. From 1925 until 1939, the look modified into Moderne, which was chunkier and more geometric, as in a silver tea service designed by Britain's Charles Boyton. In Winter's living room, a black and gold painted panel for a post-office frieze by Lee Lawrie, the artist...

Author: /time Magazine | Title: Styles: Art Deco | 11/7/1969 | See Source »

...search of a visual mode for its subject, West German animator Heinz Edelmann furiously ransacks the past. From the mannerists, he borrows "shot colors" -red blending into orange, blue fading into green. He employs the whiplash and the curvilinear strokes of art nouveau. He features the upholstered monsters of comic strips, the impudent whimsy of Dada, the vibrating poster art of Peter Max. The eclecticism almost becomes a style of its own, and occasionally it is effective, as in Eleanor Rigby when "all the lonely people" appear as gritty newsreel figures who float by each other in a surrealistic frieze...

Author: /time Magazine | Title: Cinema: Bad Trip | 11/22/1968 | See Source »

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