Word: curzio
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Dates: during 1960-1969
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Lucy Shelton's Marcellina was capable and appropriately maternal. Richard Firmin, playing both Basilio and Curzio, melted smoothly into the ensembles (his aria was wisely omitted, as was Marcellina's). David Cornell's Bartolo was strong but a little clumsy and headstrong. Angus Duncan as Antonio was marvellously and bitterly ironic. He also had one of the most brilliant lines of the translation: describing Cherubino's leap from a window, he testifies, "I'm sure that he wasn't on horseback, for no horse from the window came down." But of all the minor roles, Juliet Cunningham's Barbarina...
...aground on the coast ten miles to the south. The cargo was removed and the ship dismantled, piece by piece. American naval officers shrug off the story as apocryphal, but, say Neapolitans, how could any government admit it? "When that news swept the city," wrote the late author Curzio Malaparte, "the laughter seemed like an earthquake...
...makes me recall how Kurt Erich Suckert explained to me in Rome in 1926 why he had chosen Curzio Malaparte as his pen name (and later as his own name...
...Your justifiably friendly review of Malaparte's Those Cursed Tuscans [Oct. 30] makes me recall how Kurt Erich Suckert explained to me in Rome in 1926 why he had chosen Curzio Malaparte as his pen name (and later as his own name). "Buonaparte," he said, "won at Austerlitz and lost at Waterloo. Malaparte loses at Austerlitz and wins at Waterloo." I knew him from 1925 until his death, and even wrote a "fictitious reminiscence" about him. I can assure you that the hatred and contempt were of his last writing period alone and never in his personal relations...
Novelist-Journalist Curzio Malaparte made it his life's ambition to be hated by his readers. He succeeded admirably. By the time of his death in 1957, he was anathema to the right and left and almost everybody in between...