Word: cusack
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...years after the Rasputinolution, Anya (Meg Ryan) is 18 and alone. She meets Dimitri (John Cusack), a onetime palace servant with a 10 million-ruble scheme: to take a suitable young woman to Paris, persuade Marie that the girl is Anastasia and pocket the reward money. The usual complications ensue--boy hates girl, boy loves girl, girl keeps tripping annoyingly over scarf, dead monk tries to kill girl--accompanied by lilting melodies...
...when he's declared gay by a former student-turned-star (Matt Dillon) constitutes Hollywood's own coming-out comedy about homosexuality. It's therefore an appropriately bland comedy that ends up reinforcing, not puncturing, gay stereotypes, and doesn't get enough out of a cast which includes Joan Cusack, Tom Selleck, Debbie Reynolds and Bob Newhart. Kline still manages to rise above the plodding humor, esp. in his showstopping dance scenes; and Selleck is terrifically funny as the sleazy, sardonic, faintly Mephistophelean tabloid reporter who dogs his footsteps...
...teacher (Kevin Klive) whose life turns upside down when he's declared gay by a former student-turned-star (Matt Dillon) constitutes Hollywood's own coming-out comedy. It's therefore a bland comedy that ends up reinforcing, not puncturing, gay stereotypes, and squanders a cast that includes Joan Cusack, Tom Selleck, Debbie Reynolds and Bob Newhart. But Kline manages to rise above the plodding humor, as in his show-stopping dance scenes, and Selleck is terrifically funny as the sleazy, sardonic, faintly Mephistophelean tabloid reporter who dogs his footsteps. --Lynn...
...when he's declared gay by a former student-turned-star (Matt Dillon) constitutes Hollywood's own coming-out comedy about homosexuality. It's therefore an appropriately bland comedy that ends up reinforcing, not puncturing, gay stereotypes, and doesn't get enough out of a cast which includes Joan Cusack, Tom Selleck, Debbie Reynolds, and Bob Newhart. However, Kline still manages to rise above the plodding humor, especially in his show-stopping dance scenes; and Selleck is terrifically funny as the sleazy, sardonic, faintly Mephistophelean tabloid reporter who dogs his footsteps...
While filming a scene in which Nolte, who plays a hard-driving, glory-hunting lieutenant colonel, is chewed out by a superior over the phone (for Nolte's benefit, John Cusack improvises a verbal reaming from behind the camera), Malick's directions seem to consist solely of "Take a pause," "Look over at the river," and "Let's do another one." As the number of takes for this simple scene runs into the high teens, Nolte seems to get more and more flustered, losing concentration and blowing his lines (Cusack: "Are you incompetent, Colonel?" Nolte: "Yes I'm incompetent. What...