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...Groundhog’s Day”) surveys the scene and remarks to no one in particular, “I want to sit at the middle of the table.” But as the individuals settle down in their chairs, it is John Cusack who commands the room. His aloof cool, charmingly erudite quips, and laid-back appearance (sporting the same shocked hair of the film) immediately sets the tone for the interview. In the end, what emerges is a surprisingly profound discussion of the art of acting, musical inspirations, and opportunities for human redemption. But lifting...

Author: By Ben B. Chung, CRIMSON STAFF WRITER | Title: Breaking the Ice with 'Harvest' Cast | 11/17/2005 | See Source »

...tale, including a faux “Lion King” opening, as if Disney felt like taking self-effacing shots at the Mouse, ala the Dream Works monopoly. The tragedy of “Little” is that Disney was so close. The amazing cast, including Joan Cusack and Steve Zahn, is actually qualified to do solid vocal work, not just be a cool celebrity cameo (I’m looking at you, Katie Couric in “Shark Tale”). But they can’t turn bad lines into good ones. Braff conquers with...

Author: By Margaret M. Rossman, CRIMSON STAFF WRITER | Title: Chicken Little | 11/3/2005 | See Source »

...American diner and family from psychotic drifters. The wake of his actions—resulting in national publicity—dredges up some evil men from Tom’s past, among them the terrifying Carl (Ed Harris) and hypnotic Richie (William Hurt). They know Tom Stall as Joey Cusack, a murderer from Philadelphia who owes them big and mysteriously vanished prior to Stall’s arrival in small-town Americana...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: The Dualistic Philosophy of David Cronenberg | 9/30/2005 | See Source »

...expensive than other concerts because colleges don’t already have equipment and staff for the show nor the bargaining ability of big venues, which are owned by a handful of companies with tremendous market power. Everything from security to the artists to production is far more expensive. Cusack says that “if Harvard wants to get an artist and they only have one date, Harvard doesn’t have a lot of leverage. Once the artist knows they want him, the artist will squeeze them...

Author: By Adam M. Guren, CRIMSON STAFF WRITER | Title: Working in Concert | 9/27/2005 | See Source »

That leaves the HCC charging high ticket prices for lesser acts. Until the HCC is given more money, students need to go into concerts with slightly lower expectations. Cusack says that at this point, Harvard “just doesn’t have the money to get the big names...

Author: By Adam M. Guren, CRIMSON STAFF WRITER | Title: Working in Concert | 9/27/2005 | See Source »

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