Word: custards
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Dates: during 1930-1939
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...brilliant but erratic director of the old silent days who bombasts his way through many years of happiness and stark tragedy, and in the end manages to get Alice Faye and some gray hairs. Miss Faye, surprisingly effective in a role with no lyrics, very little legs, and custard pies in the face, plays the part of a Broadway star who comes to Hollywood at the instigation of Ameche. Though she marries the wrong man first, he contrives to drive into a telegraph pole at the crucial movement, thus leaving the road open to dour Don. In spite...
...smash hit on their hands. Tale of a famous lecturer who goes to a dull dinner-party in an Ohio town, gets hurt, and has to stay on in the house for weeks, the play's wit is as gleamingly cutthroat as its antics are gorgeously custard-pie. The identity of the lecturer is as open a secret as the fact that George Eliot was a woman. Lecturer Sheridan Whiteside (Monty Woolley) is an unexpurgated version of Alexander Woollcott, who has been a friend of the authors' as long as he has been a legend of the literary...
...love story about a cap-backwards movie director and a star with doorknob eyes. But it contains two silent, black & white remakes of oldtime flicker comedies, complete with piano banging, which make this picture a must for people who appreciate the art of plastering the human face with custard pie at 30 paces...
...this nostalgic peep backward by Hollywood at its age of innocence, 20th Century-Fox studios appropriated $2,000,000, took more than three months for shooting, built 80 sets (average for a feature is 40), replaced the 1913 custard pie with a new-style, squshier, stickier, whipped-cream pie, summoned oldtime Pie-slinger Buster Keaton to hurl 56 of them; called in Mack Sennett, Chester Conklin, Jed Prouty, many another old-timer to impersonate themselves, resurrected Keystone Cops* and Bathing Beauties, the bewitchingly crossed eyes of Bartender Ben Turpin. Many a fan sat twice through the heartthrob antics...
...interest in movie history, 20th Century Fox has delved back into the files and brought out two scenes of slap-stick that make modern movie comedy look like a first-class funeral. The first includes Buster Keaton, Alice Faye, an unnamed villain, and an apparently limitless supply of creamy custard pies. There is a certain emotional release about a custard pie flying through the air destined for some carefully made-up face. It is a shame that the idea has been abandoned, for many modern pictures might be livened up immeasurably with the sudden appearance of a custard...