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Since then, every record he has cut for Imperial has been a bestseller-standards like My Blue Heaven and Blueberry Hill, and custom-tailored works like Blue Monday and I'm Walkin'. Last week his latest lament, Valley of Tears, was doing well: "Only four weeks old, and that baby is hittin' between seven and eight hundred thousand." Fats talks the words in his songs, and they can be understood-a rarity among rock 'n' rollers. The lyrics are clean, but the beat is lowdown and as basic as they come. His head-rolling piano...

Author: /time Magazine | Title: Music: Fats on Fire | 6/10/1957 | See Source »

Irving Ives promptly agreed. For Watkins the decision was tougher. As a practicing Mormon, he is opposed to gambling on principle, reluctantly accepts the Senate custom ("It isn't really gambling") for lack of a practical alternative. Moreover, out of eight previous turns at Senate coin tossing, he has lost eight times. At length, as Bricker flipped the coin experimentally, Watkins gave in. "Heads," he called as the quarter whirled in the air. It came up tails. Sighed Arthur Watkins: "My record of losing at this is still intact...

Author: /time Magazine | Title: THE CONGRESS: Flipping for Joe's Place | 6/3/1957 | See Source »

...cared to. carry about the likeness of his wife or children had to commission an artist. The demand for such likenesses, to hang on watch fobs or dangle in gold lockets, fostered the exacting art of painting watercolor portraits on small circles and squares of ivory. The genteel custom flourished in New England in the mid-18th century, died out a century later. Last week, in conjunction with the Colonial Dames of Massachusetts, the Boston Museum of Fine Arts put on view a choice selection of 210 American miniatures...

Author: /time Magazine | Title: Art: A GENTEEL CUSTOM | 6/3/1957 | See Source »

With the score tied 4 to 4 (the meets were to be decided according to the English custom; on the basis of first places only), and only the three-mile remaining, the Herald described the climax of the meet...

Author: By William C. Sigal, | Title: This Spring's Track Meet Against Oxford-Cambridge Revives a Long Tradition | 5/21/1957 | See Source »

With ten centuries of accumulated art to look back over, Ming masters became eclectics, painting in several different styles. The mark of the age was its delight in intimate, everyday scenes, anecdotal and often merely decorative. But with the custom of copying from old masters, along with an absorption in technique for its own sake, art came perilously close to feeding upon itself. The famed three-volume painting primer called The Mustard Seed Garden Manual of Painting, compiled between 1679 and 1701 in a small Nanking house (called the Mustard Seed Garden), broke down brush strokes into 16 different categories...

Author: /time Magazine | Title: Art: MASTERPIECES OF CHINESE ART | 5/6/1957 | See Source »

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