Word: cutely
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Dates: during 1930-1939
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...enough. By and by comes a matronly woman with a school of multi-colored children. A matronly woman came by with some brown and some white and some dirty children. I mean some of them were cute; but one was a brat! She threw stones at me; I mean she actually picked up a rock and let it go for all she was worth; and it hit me behind the ear. Behind the ear it hit me; and then the little sissy ran. I mean she hid behind the matron's skirts. It's a damn good thing. I mean...
...little six-year old boy with list clenched crept stealthily along the Eliot House fence one afternoon last week. He paused in front of the Master's residence for a brief moment, and scanned the horizon up and down Memorial Drive. Then, after a cute pitcher's wind-up, wham! went a rock right through one of the Master's prize windows. First came the pleasant tinkling of broken glass; then the awful silence that follows catastrophes; and finally the horrible roar of the outraged being within. Ten seconds later the front door flew open and out thundered Roger Bigelow...
Shirley is here and there is nothing to do about it but we can complain about the treatment given to the rest of the cast. John Boles can sing but we were offered the pipings of the cute one instead and even the worst of the history debunkers would shudder at the insipid portrayal of Abraham Lincoln. It is about time that petty actors stopped trying to take the part of the world's greatest...
...would not publish anything more until after graduation. Last week, now 22 and a graduate of Columbia University's Barnard College, onetime Prodigy Nathalia Crane published her fifth book of poems. They still read like the writings of a precocious little girl. Her nicest ideas are pretty cute: what if a sailing ship were loaded with honey and the ghosts of the bees that made it stung the crew to death? What if the silk worms, roses, bees went on strike? What if Manhattan's pigeons were all killed? Miss Crane is fond of alliteration's artful...
Glory. Actress Hayes' "cute" period fused with her more mature phase in Shaw's Caesar and Cleopatra. The Serpent of the Nile was her first regal impersonation. Notwithstanding Columnist Franklin Pierce Adams' crack that she was suffering from "fallen archness," Miss Hayes still maintains: "I felt that my tiny Cleopatra was just right. It seemed to me that Shaw meant her to be a gay young numbskull.'' It seemed that way to the theatre going public, too, for Caesar and Cleopatra had a long and prosperous run. The god Broadway was beginning to give...