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Word: cutely (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Most of the other performances are equally perfunctory. Kristina and Michelle Kennedy, the twins who play Elizabeth, are cute, but they look too old to be a convincing one-year-old. Keaton's is the only performance that displays emotion above and beyond the call of duty, but then hers is the only character who is not a complete caricature...

Author: By Gary L. Susman, | Title: Baby Bummer | 10/9/1987 | See Source »

...believable and her naivete is charming. And thus she is utterly at odds with the chic gallery people who treat her like a lost puppy--lovable and amusing but not worth their attention. When Polly hears them say a painter has "acute awareness," she thinks they mean "a cute awareness, like a cute face...

Author: By Aline Brosh, | Title: Mermaid To Order | 10/9/1987 | See Source »

...women. Oh, puh-leeze. They must be able to do something besides meet cute, mate rompishly and end up happily ever-aftering. Come on, guys! Back to the typewriter. Back to the library. Back to the yellowing newspaper files, if you're really desperate. We're missing something...

Author: /time Magazine | Title: Cinema: The War Between the Mates | 9/28/1987 | See Source »

Lots, as it turns out. Take, for example, Fatal Attraction. It is your standard slasher scenario. Pheromones sing sly duets in a seemingly innocuous setting. The sex object is cute and easily seducible, but interested only in an encounter that is brief and zipless. Whereupon the rejected partner falls to obsessive brooding and proceeds down a darkening path from harassment to stalking with a deadly weapon. Uh-huh. At best it sounds like a cult classic in the making...

Author: /time Magazine | Title: Cinema: The War Between the Mates | 9/28/1987 | See Source »

Isozaki's postmodernism was not fueled, like that of many Western architects, by a hankering to reproduce a particular, seductive historical style. The forms and fragments in his work are not cute or ready-made. Instead, he is an antirationalist, a form-follows-intuition designer whose deft play (tricks of perspective, false facades) tends toward the baroque but whose work comes off as anything but fusty. He is drawn to elemental geometries -- cubes, cylinders -- and natural materials, but he seldom leaves them basic or pure. He pulls together polished granite with curved glass with concrete, and makes columns short...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

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