Word: cutenesses
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...precision than she has yet managed; and "Broken Flag," a sweeping anthem to her curious idea of America. But even these tracks partake of the torpor that fills the rest of the record. During her last tour, Smith padded sheepishly around the stage and did her best to play cute. The music on Wave acts identically, and neither escapes with a shred of credibility...
...Reed and Patti Smith both began as hard rockers, and both have turned away from the good, fast beat and loud guitar staples of that genre. Smith has ditched them for mellow production and a cute smile, letting pretense win out over her instinct to play the music hard. Reed, more respectably, has done as much with them as he can and them tried to break away gently. Neither can tightly be called a leader of the avant garde. Reed is tired out, and though his work may point the way for others, his days of leadership are over. Smith...
...similarly vitriolic comment on the subverted chicness of punk, "I'm So Cute" emulates the "beat-it-into-their-heads" method: stupid words, short lines, and screaming repetition. Many of the other songs on this album, although not deliberately mimicking punk, are painfully consistent with this style. And they're boring. Zappa lets his compositions ramble in a way that shames his genius as an arranger. Usually a clever and inventive songwriter, Zappa here contrives disappointingly sparse and uncreative lyrics. Only his provoking cynicism remains...
When I mention his name now people stare blankly. Some of them even think that "A Small Circle of Friends" is just a cute movie title...
...return, they let him know where they're at through the first dance sequence, Aquarius. The number, like all the rest, is infectuously buoyant. The camera unerringly swoons and follows the gliding choreography by Twyla Tharp: the film's greatest asset. Avoiding cute, stagey, Broadway production-type dance, Twyla Tharp has given new hope to musical choreography. The movements flow naturally; instead of watching a static dance number, we are taken by the camera into the movements, intrinsically swaying with them...