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Word: cuting (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...employs Solution No. 2. Clara Bow gets the kiss in the fadeout. She is a better actress than her usual It-girl role would lead you to expect, but in most of her scenes she is not trying to act so much as to suggest, rather over-consciously, how "cute" she is. Best shot: Kay Francis in front of a bedroom door...

Author: /time Magazine | Title: Cinema: The New Pictures Jul. 29, 1929 | 7/29/1929 | See Source »

...they happen. Mr. Mahoney also smears part of his face with lampblack and burlesques Mammy songs in a way which should, but probably will not, eliminate them as legitimate amusement. Ray Kavanaugh's orchestra, which helps to promote such fetching tunes as "Song of the Moonbeams" and "Kinda Cute," not only rises mechanically from the pit, but moves slowly back across the stage and is ultimately hoisted high in air to accompany a hectic first act finale...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Jul. 15, 1929 | 7/15/1929 | See Source »

With these perfervid paeans the drama-reviewers of Manhattan let it be known that they had caught Whoopee, a cute little musical show, starring Eddie Cantor and exposing to view large portions of Gladys Glad, Olive Brady, and the like...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Dec. 17, 1928 | 12/17/1928 | See Source »

...Daisy. A listless musical comedy. The cast includes Marie Saxon, whose legs win her at least the title of "The American Mistinguett;" Buster West, cute and toothy juvenile dancer; Luella Gear, William Kent, Nell Kelly. And yet it is dismal, for the lines are feeble, the tunes ordinary. The story deals with a husband who plagiarizes a book on mountain-climbing so his wife will not know he has spent all his time in Paris, none in the Alps...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Oct. 22, 1928 | 10/22/1928 | See Source »

...must be admitted that Chee-Chee, though sometimes cute and always dirty, is not consistently amusing. Herbert Fields deduced the book from Charles Petit's novel. Richard Rodgers and Lorenz Hart managed to engender "Better Be Good to Me" and "I Must Love You," but they were neither lyrically nor musically up to standards of their Garrick Gaieties or A Connecticut Yankee. Helen Ford as Chee-Chee and Betty Starbuck as Li-Li-Wee were respectively arch and charming. George Hassell squealed and grunted in cagey fashion as the Grand Eunuch. Chee-Chee would be funnier...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 8, 1928 | 10/8/1928 | See Source »

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