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...shows either reflect or strangely caricature their times. In That Girl (1966), Mario Thomas played a single girl in New York City making her career, but always Mom and Dad hovered; her independence was somehow merely cute, a phase. In MTM, Mary Richards-Moore's character-gave a humanely plausible version of American women-some American women-in the early and mid-'70s. Not many, of course, are as lovely as Mary or as funny. She was single, independent, pursued her career, was interested in men but not in an obsessive, husband-trapping way. Many women...

Author: /time Magazine | Title: Time Essay: Goodbye To 'OUR MARY' | 3/14/1977 | See Source »

...Save Your Own Life is written in six or seven different styles, ranging from academic hauteur (she says she was "amanuensis to the Zeitgeist") through Cosmo cute ("Bed reared its ugly headboard") to bewilderingly lifeless porn. The author's mind seems to have been softened by too many hours in a Malibu Jacuzzi. As if searching for a new definition of vulgarity, Jong writes that hostile criticism of her first novel makes her think of "Jews gassed at Auschwitz." (Actually, Fear of Flying was extravagantly overpraised.) She also contrives to turn the tragic suicide of Poet Anne Sexton (named...

Author: /time Magazine | Title: Books: Oral History | 3/14/1977 | See Source »

...back-stroking in the blue Pacific. He was a hardened private dick, a real pro, and could trade quips and insults with any manner of wise-cracking low life. When a dumb and slutty millionaire's daughter tries to lead him on in The Big Sleep, cooing "you're cute," the unarousable Marlowe answers back, "What you see is nothing. I got a belly dancer on my right thigh." A real joker...

Author: By Mark T. Whitaker, | Title: Dyspepsia and Dark Alleys | 3/5/1977 | See Source »

...they were snapshots from 1910, the play could be an existential joke, a reductio ad absurdam of both comedy and farce. As the three characters, Kathy Bybee, Immy Humes, and Ilana DeBare seem ready to play their parts for laughs. One is haughty, another childlike, the third cute. But all aspects of the five-minute-long play are commendably understated, from the grey lighting to the long poses. It is understandable that a serious minded audience would remain in reverential silence during a play like this. For all its derivation from what are conventionally considered comic genres, the laughs this...

Author: By Christine Healey, | Title: Suggestive Emptiness | 2/26/1977 | See Source »

Hozack, the Edmonton Express' senior center who Dea describes as "really cute with the puck," decided to come to Harvard without any outside prodding. He doesn't regret his departure from the high-pressured hockey of his hometown, as he says that in Edmonton "You're really aware of what's happening in Junior hockey. That's where the struggle to make it is. There are a lot of guys all around you who are trying to make it and don't produce. When you see that kind of thing it doesn't make a good impression...

Author: By Robert Sidorsky, | Title: Dum,Da,Dum...Futuite B.U.! | 2/17/1977 | See Source »

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