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Will TIME'S cute animal pictures on the cover and inside [Dec. 23] inspire thousands to race out to join the American petmania? Or will they read the copy and consider the serious social, economic, health and safety problems that are caused by many pet owners not acting responsibly...

Author: /time Magazine | Title: Forum, Jan. 6, 1975 | 1/6/1975 | See Source »

This movie begins with a sure sign oi trouble to follow: a montage of stills showing cute kids, each representing an ethnic minority, all of them pretty and smiling and irritatingly adorable. Having established this trough at the very outset, Writer-Director Melville Shavelson is free to proceed downward...

Author: /time Magazine | Title: Cinema: Generation of Vipers | 12/23/1974 | See Source »

...lightweight impression. The music is entertaining, though there is nothing particularly brilliant about any of it. Sometimes the whole production takes on a high-schoolish air, but this usually doesn't last too long. The tone and content of the production sometimes approaches that blend of the cute, the childishly obscene and the genuinely funny that must have been present in '30s House productions with titles like Whore and Piece...

Author: By Paul K. Rowe, | Title: Antiwar Attics | 12/12/1974 | See Source »

...Paper Moon (ABC, Thursday, 8:30 p.m. E.S.T.) is cute rather than awesome, as befits what is intended to be a comedy. An ever-open convertible is often glimpsed gleaming invitingly in the ceaselessly shining sun. The car is a symbol of the footloose lifestyle Moze and Addie Pray (Christopher Connelly and Jodie Foster) have chosen as the best way for con man and girl to survive the Depression '30s. It is, apparently, a rolling Camelot. The pair have yet to encounter any bad weather, let alone any bad vibes on ABC the roads they (theoretically) share with...

Author: /time Magazine | Title: Show Business: Viewpoints: Nostalgia on Wheels | 11/11/1974 | See Source »

...film. Georgia Spelvin plays the lead role, but the real "stars" are the penises and vaginas which fill the screen: the only way not to die of boredom is to imagine them as the new actors and actresses of the future, personified, with tiny little faces which are kinda cute and even vaguely expressive. Except for this puppet show element, The Devil and Miss Jones is no more than snakes, bananas, and--if you've seen hard-core before--a reaction of strange and unsettling tumultuousness. A dollar and a half; "for Harvard students only," the notice says...

Author: By Richard Turner, | Title: THE SCREEN | 10/17/1974 | See Source »

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