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...Cute? Although Godfrey tossed in a slurring remark on his Wednesday night show ("I'm sure you have noticed through the years that those who are the great ones stay with me"), his two ex-great ones were careful to show no rancor. Bleyer kept his peace. La Rosa appealed to reporters as a mixed-up kid: "It was Mr. Godfrey who kept telling me I was humble and to stay that way . . . He kept harping on that humility thing . . . This guy-pardon me-Mr. Godfrey -Mr. Godfrey has one of the best shows...

Author: /time Magazine | Title: Radio: Humble or Nothing | 11/2/1953 | See Source »

...keeping entirely to surfaces, a play that strives after popular appeal is never compelled to make compromises. Even so, the writing sometimes fails it: before the story gathers momentum, it often seems more cute than droll, more hack-professional than peasantlike. It is not until the teahouse is building that the captain and the colonel are sufficiently at odds to become hilarious. And it is not until the teahouse is built, and there is music and graceful Mariko Niki's geisha dance, that the play takes on its tinkly charm. But by keeping its best foot backward, The Teahouse...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Oct. 26, 1953 | 10/26/1953 | See Source »

...Bare's second wife, Brenda Bruce always stays one step ahead of her husband. A cute, frilly looking blonde, her Monroeian bust almost obscures an ability to handle a bank account as well...

Author: By David L. Halberstam, | Title: Gently Does It | 10/20/1953 | See Source »

Like most patter merchants, Danish-born Victor Borge sometimes indulges in very corny gags and in rather too-cute remarks. There are even moments when he does nothing more than play the piano agreeably. But with his full kit of comedy tools, he not only blends words and music, but mixes satire with nonsense, the irrelevant with the irreverent. And if what he does begins to pall a little, there is still a genuine fascination in how he does...

Author: /time Magazine | Title: The Theater: New Shows in Manhattan, Oct. 12, 1953 | 10/12/1953 | See Source »

...Houdini's feats. In the title role, Tony Curtis is as unrevealing about Houdini the man as about Houdini the magician, hardly hinting at his dynamic personality, strength, ingenuity and resourcefulness. As Houdini's wife and assistant, Janet Leigh (Mrs. Tony Curtis in real life) is another cute trick. Together, they achieve an illusion that outdoes Houdini himself: in the good old Hollywood tradition, they grow old in the film's final sequences without perceptibly growing one bit less young and handsome...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 29, 1953 | 6/29/1953 | See Source »

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