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Freshman heavyweight coach Ted Washburn is "happy with the progress" his first boat has made in their workouts so far this spring. Two freshman boats are racing today. The first is stroked by Bob Goldkamp, and the second by Gordie Cutler...

Author: NO WRITER ATTRIBUTED | Title: Harvard Heavyweight Crew to Face Brown, Rutgers in Stein Cup Today | 4/23/1966 | See Source »

Sophomore Chris Cutler paced the third varsity boat over a 1000-mater course to a four and a half length lead in 3:20.4. The freshmen, who led off the regatta, covered the Henley distance in 6:14.8, which was the fastest time for the day. Columbia was 24 seconds back. The Cantabs rowed the race at a 30, understroking the Light Blue by 10 or 12 beats the whole...

Author: NO WRITER ATTRIBUTED | Title: Lightweight Crew Sweeps Five Races From Columbia | 4/18/1966 | See Source »

...third boat, though it has recently switched oarsman Bob Freedman from the port to the starboard side, is developing into "quite a smooth boat with lots of spirit," according to Weber. Sophomores Chris Cutler is stroking with junior Chip Mills...

Author: NO WRITER ATTRIBUTED | Title: Five Lightweight Crews Race at Columbia Today | 4/16/1966 | See Source »

...between the audience and the actors--an odd way to produce a play which deals so exclusively with the power of emotion. Springs Awakening shows three children maturing under the opposing stresses of natural passion and of the strict morality of their parents. The central figure is Melchior (Howard Cutler), an intelligent young man who does not know what to make of his maturity. It leads him to questioning, and to atheism, where his friend Moritz (Toby Hurd) passes through posture after self-pitying posture spilling forth poetic gibberish out of nervous excitement until at last...

Author: By Donald E. Graham, | Title: Spring's Awakening | 3/4/1966 | See Source »

...Cutler's acting suggest a less muddled answer. For so central a character, he has remarkably few lines and I could draw no coherent impression from what he made of them. Hurd, as Moritz, is very close to an excellent performance; in his wavering voice, he implies perfectly the theatrical nature of the 14-year-old poet cynic. I thought, however, that he used gestures and movement remarkably little for so excitable a character. Miss Kelly's Wendla is a fine performance from beginning...

Author: By Donald E. Graham, | Title: Spring's Awakening | 3/4/1966 | See Source »

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