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...19th century Romantics, he was fascinated by the image of Medusa, the mythical woman whose hair is snakes and whose face turns people to stone. When he saw a painting of Medusa in Florence he called it "the head of a Madonna created by purgatory." He made a paper-cutout version of the Medusa's head, and pasted it onto a page in conjunction with a printed view of the Castel Sant' Angelo in Rome...

Author: /time Magazine | Title: Art: Monster in the Imagination | 10/19/1970 | See Source »

Courrèges concentrated on pointed hoods and capes in crinkly vinyl for day, satin-lined velvet for night, cutout minitunics over pants and slinky skirts, and a gaggle of see-through blouses. Givenchy shaped his long dresses with meticulous pin-tucked pleats, and emphatically ratified the romantic look with a black velvet pantsuit rounded at the hips and ruffled in black taffeta...

Author: /time Magazine | Title: Modern Living: Punch, Oui; Power, Non | 8/3/1970 | See Source »

PHOTOGRAPHY also serves humor. In "Miss American Icon" he "throws" photographs of a cross, and a star-shaped cutout of a face into a funny hand-scrawled wastebasket. The caption for this clever mixture of media is "old symbols...

Author: By Deborah R. Warhoff, | Title: McClelland | 12/13/1968 | See Source »

...this is his first appearance as a TIME cover artist, Wheeler, 33, considers himself an alumnus of Time Inc. Not long after he graduated from Brooklyn's Pratt Institute, he went to work for LIFE. While there, he designed the series of advertisements that showed the LIFE logotype cutout of a long catalogue of items: IBM cards, theater tickets, miniature flags. Those Wheeler cutouts are now in the collections of Manhattan's Museum of Modern Art and the Metropolitan Museum...

Author: /time Magazine | Title: A Letter From The Publisher: Nov. 8, 1968 | 11/8/1968 | See Source »

...latest work, Samaras has in effect dismantled the reliquary. He has ranged twelve or 18 mutants of the same relic-for example, a knife-in a clear Plexiglas case, calling the group "transformations." At the same time, he has not entirely abandoned books and boxes. Painted cutout silhouettes of the latter hang in their own black frames, subtly suggesting the ax about to fall. A curiously shaped book, its ten pages cut in lacy patterns and stippled with rainbow dots, contains Samaras' own moody, erotically Joycean fantasies (even Grove Press, he claims, refused to print them). Samaras' most...

Author: /time Magazine | Title: Sculpture: Forbidden Toys | 9/20/1968 | See Source »

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