Word: cycliste
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...right attitude to be a good cyclist,” Kelly said. “I think she’s very intelligent and you have to be very smart on the bike. She uses her intelligence to race smart...
Sylvain Chomet’s film aims for a multinational texture and is largely devoid of dialogue, but nevertheless retains a distinctly French sensibility with a penchant for shrewd cultural allusions. A clubfooted widow, Madame Souza, trains her chubby grandson Champion to become a stick-thin cyclist with the help of bulky canine Bruno and her restless whistle. One day, Champion is mysteriously kidnapped, along with two of his fellow Tour de France riders, by amusingly ominous members of the French mafia. In hot pursuit, Madame Souza travels to the Dionysian metropolis Belleville, where she enlists the help...
...released in 2003. Sylvain Chomet’s film aims for a multinational texture and is largely devoid of dialogue, but nevertheless retains a distinctly French sensibility with a penchant for shrewd cultural allusions. A clubfooted widow, Madame Souza, trains her chubby grandson Champion to become a stick-thin cyclist with the help of bulky canine Bruno and her restless whistle. One day, Champion is mysteriously kidnapped, along with two of his fellow Tour de France riders, by amusingly ominous members of the French mafia. In hot pursuit, Madame Souza travels to the Dionysian metropolis Belleville, where she enlists...
...released in 2003. Sylvain Chomet’s film aims for a multinational texture and is largely devoid of dialogue, but nevertheless retains a distinctly French sensibility with a penchant for shrewd cultural allusions. A clubfooted widow, Madame Souza, trains her chubby grandson Champion to become a stick-thin cyclist with the help of bulky canine Bruno and her restless whistle. One day, Champion is mysteriously kidnapped, along with two of his fellow Tour de France riders, by amusingly ominous members of the French mafia. In hot pursuit, Madame Souza travels to the Dionysian metropolis Belleville, where she enlists...
...released in 2003. Sylvain Chomet’s film aims for a multinational texture and is largely devoid of dialogue, but nevertheless retains a distinctly French sensibility with a penchant for shrewd cultural allusions. A clubfooted widow, Madame Souza, trains her chubby grandson Champion to become a stick-thin cyclist with the help of bulky canine Bruno and her restless whistle. One day, Champion is mysteriously kidnapped, along with two of his fellow Tour de France riders, by amusingly ominous members of the French mafia. In hot pursuit, Madame Souza travels to the Dionysian metropolis Belleville, where she enlists...