Word: cymbal
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Dates: during 2000-2009
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...ballad of course, and opens with a sample of a female Tech student saying how the school must be known not for what happened but for overcoming what happened. It also features the inevitable whispering choir whose volume rises in the chorus and gets punctuated by a cymbal clap...
...intelligence to the listener as far as attending. Where you can actually let your mind listen from one thing to the next thing to the next thing without saying hey, hey look at me look at me, look at me. It lets your mind listen to the right cymbal for a while and then ok the bass is doing that and then you can jump back and forth. It’s kind of like letting the listener’s own discrimination become part of the music.THC: As a maker of that music do you also at the same...
...that follows the story of two clandestine paramours. The overture foreshadows the impending tragedy with a dark, surging theme which was gradually accelerated by Yannatos’ conducting. The string section showcased impressive prowess in swells and plucky staccatos. The dramatic finale, however, which was punctuated with brass and cymbal crashes, was slightly muddled. Still, the piece effectively conveyed the opera’s fateful tone and segued appropriately to increasingly dramatic performances. The second piece was Johannes Brahms’ “Double Concerto in A minor,” a concerto for violin and cello soloists that...
...Alone Again Or,” with bouncy chords and exuberant trumpets exciting the crowd, who eagerly followed Burns’ lead in providing a hand-clap accompaniment. The explicitly political “All Systems Red” ended with a burst of crash cymbal, driving bass, and squealing guitar, providing a wall of noise that accentuated the frustration of Burns’ lyrics. This somber spirit of protest was countered by an extended version of “Güero Canelo,” featuring high, rolling trumpet solos, Richie Valens-esque guitar, and a dance-happy...
...ballad “Sweet & Lovely,” lingers a bit too long for all of its beautiful moments and seamless tempo changes. Wilson makes a few overbearing choices on drums, particularly in the full version of “Epistrophy” (he uses his rapid-fire cymbal coloring more effectively on the incomplete version, also included). Nevertheless, rediscovered recordings are rarely as brilliant as this one; there is a reason why this recording is the best-selling new jazz album right...