Word: cypresses
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Bartlett is a deft maker of marks; she understands the syntax of representation so well that hardly an inch of surface goes slack. The way she renders the dusty black recesses of a cypress, or the paddle-like leaves of a foreground plant, or the lunar speckling of artificially lit gravel-and does it in terms of relentlessly agile movements of a broad brush-is a lesson in decisiveness. It would be hard to think of more fluent paint handling in current art than the set of three views of the tiled tank, named Pool, 1983. One reads it from...
...images of frame-by-frame shift are a way of shaking it back into life. The place is so ambiguously quiet that after a while the kitschy little statue starts to come alive. Small changes take on enhanced significance, as in Wind, 1983, where the whipping of the cypress fronds, black as gnawed brushes against an unmemorably blank sky, is al most the only change (apart from eyeline) from one panel to the next. In this way -paradoxically enough, in view of her constricted subject - Bartlett emerges as a master of narrative tone. There is more in her garden than...
Sabi suggests patina or decomposition: the retreat of bright new substance into a world of obscurity and hints. It is what a cypress doorframe acquires after three centuries of sliding the shoji back and forth. It is what Japanese collectors got when they left their silverware to tarnish, instead of polishing it to a bright Tiffany glitter. Wabi is an older and wider concept. It conveys not the dryness and stillness of sabi, but an aristocratic use of "poor," rustic materials. Tea is the origin of much of Japanese design since the 15th century; in fact, the nearest thing...
...shrines stand a stone's throw from each other in Tokyo's Shibuya district. One looks toward the past; the other embodies the present. The first, the Meiji memorial, a Shinto edifice of Japanese cypress embellished with gilded copper, is dedicated to Emperor Hirohito's grandfather. The other, which glints a deep azure in the sun, is the modernistic steel-and-glass headquarters of NHK, Japan's public broadcasting system, symbol of a national obsession: television...
...sunny terrace above the cypress-shaded San Antonio River, four Congresswomen gleefully summed up the moment. Said Democrat Geraldine Ferraro of New York: "We've got the issues, we've got the gender gap on our side, and at long last the men are going to pay attention to us." Republican Congresswomen Claudine Schneider of Rhode Island and Olympia Snowe of Maine said that even the White House had begun to take notice. Not a moment too soon. The fourth member of the group, Democrat Barbara Kennelly of Connecticut, had brought both Republican and Democratic delegates to their...