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Word: cyrano (lookup in dictionary) (lookup stats)
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...Capra. Purgatory is right at hand, in Buffalo, New York. It's where a pair of aging stage actors, George Hay (Philip Bosco) and his wife Charlotte (Carol Burnett), dream of starring in the Capra film. Instead, on this June day in 1953, they are reprising rundown performances of Cyrano and Private Lives. Payrolls are not being met, and their troupe is nearing mutiny...

Author: /time Magazine | Title: THEATER: COMIC TURNS | 10/9/1995 | See Source »

...million Dutch musical Cyrano, which opened on Broadway last week, has handsome sets and costumes and a sometimes stirring score. But as the swashbuckler poet, Bill van Dijk is an amiable shopkeeper who occasionally remembers he's gripped by grand emotion and starts waving his arms...

Author: /time Magazine | Title: Furthermore: Dec. 6, 1993 | 12/6/1993 | See Source »

...musicals derive from the dear dead past. A Grand Night for Singing is a cabaret collage of the 1943-to-1959 Rodgers and Hammerstein songbook. The Red Shoes is so closely based on the 1948 ballet film that it uses footage from it as the basis of TV ads. Cyrano the Musical, an import from Amsterdam, retells a much told romance, written in the 19th century and set in the 17th. Disney's Beauty and the Beast will transpose to the stage the hit songs and scenic devices of the 1991 animated film, itself based on a venerable fairy tale...

Author: /time Magazine | Title: Forward to The Past | 11/22/1993 | See Source »

...aching for the Ideal, loathsomeness wanting to be loved, unknown fear reaching up to touch or break our hearts. He is every teacher who fell in love with a beautiful student, every middle-aged man who has a star-struck boy's swoony soul. He is kin to Pygmalion, Cyrano, Quasimodo, Dracula, the Elephant Man and King Kong -- artists isolated in their genius, Beasts pining for Beauty...

Author: /time Magazine | Title: Phantom Mania | 3/1/1993 | See Source »

...generalize; every figure acquires a specific energy, and each countenance is its own face, not merely a mask of passion or a symbol of social role. A little bareback rider's squinched-up face above the massive, churning crupper of a stallion in the Cirque Fernando, 1887-88; the Cyrano nose and signature black gloves of Yvette Guilbert; the weird cadaverous prancing of Valentin the Boneless -- these images live on as obdurately as the traits of Dickens' characters...

Author: /time Magazine | Title: Art: Cutting Through The Myth | 3/9/1992 | See Source »

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