Word: da
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Dates: during 1950-1959
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...Windward Islands (pop. 321,600) produce bay rum on St. Lucia, nutmeg on Grenada (pronounced Gre-nay-da), arrowroot for babies' cookies on St. Vincent, and cocoa on Dominica (pronounced Dom-i-nee-ka,). St. Lucia houses a U.S. missile-tracking station for Cape Canaveral's downrange...
Negro singers are still rare enough in grand opera to be news to the public and to make managers self-conscious about what roles to give them. Two possible answers: Carmen, the gypsy girl, and Aïda, the Ethiopian slave. But they are also taxing debut parts, both vocally and dramatically. Last week, on opera stages 4.000 miles apart, two of the most promising of the U.S.'s young Negro singers appeared in Carmen and Aïda to audience cheers...
...Brooklyn-born Gloria Davy, 25, made her first musical splash four years ago as the replacement for Leontyne Price in Porgy and Bess. She toured in the role from San Francisco to Cairo, finally abandoned Bess to avoid being typed. She studied Aïda, sang the title role in the opera house at Nice but had never attempted it with a big-league company before her debut at the Metropolitan Opera last week. Soprano Davy was thrown in with a strong cast-Kurt Baum as Radames, Irene Dalis as Amneris. Leonard Warren as Amonasro-which might well have overpowered...
Saxophonist Mule chose for his debut program the works of two contemporary French composers-Jacques Ibert's Concertino da Camera and Henri Tomasi's Ballade. What the audience heard was an open, evenly controlled sound that could sing with a clean vibrato or a finely trimmed staccato, swell robustly and solidly with no trace of the breathy "air sound." Under Mule's scurrying fingers, the saxophone sometimes took on the quick sheen of strings, or the water-clear inflections of the flute, or the warm quality of the bassoon. Gone were the wah-wahs and wobbles...
...warm, full-timbered voice. Her latest success: Erika in Samuel Barber's Vanessa (TIME, Jan. 27). Although a good singer, she is not yet a great one, and her voice must gain weight and authority before she can conquer such big mezzo roles as Amneris (Aïda) or the Princess Eboli (Don Carlo...