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Word: da (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Those old familiar words of Mr. Pacheco's, "No more da car. Da ole Lady bin go Lihue," made tears come to my eyes...

Author: /time Magazine | Title: Letters, Aug. 31, 1959 | 8/31/1959 | See Source »

...sweat-stained shirt and heavy shoes, Louie Pacheco, 44, operator of a harvesting machine, broke through the campaign workers with the cheerful promise to vote for everybody. "Hey, Louie!" yelled a friend. "See you pan hana [after work]? Plenty feesh at Kapukamoi!" Replied Louie in pidgin English: "No more da car. Da ole lady bin go Lihue today." "I pick you up?" offered the friend. "Hokay!" yelled Louie, as he ducked into the schoolhouse...

Author: /time Magazine | Title: HAWAII: The Big Change | 8/10/1959 | See Source »

...grabbing Nixon's hand and blurting out an apparently cheery but unintelligible greeting. Politician Nixon proceeded to give Politician Kozlov a boost with the home folks. "Mr. Kozlov," Nixon informed the crowd, "told me several times that one cannot come to the Soviet Union without visiting Leningrad." "Da!" interjected Kozlov loudly as his fellow citizens chuckled. "These are your constituents," grinned Nixon...

Author: /time Magazine | Title: RUSSIA: Mir i Druzhba | 8/10/1959 | See Source »

Before his early death in 1609, Michelangelo Merisi da Caravaggio painted no fewer than three St. Jeromes. The most renowned version is in Rome's Villa Borghese, but the best-done from the same model-may well be Montserrat's. The Montserrat canvas shows the saint in repose, with only a skull for company, in peaceful contemplation. It has all the power of Caravaggio's drawing, which influenced Rubens. It is a striking example of Caravaggio's favorite color combination-red and black-which has influenced painters from Georges de La Tour to the abstract-expressionist...

Author: /time Magazine | Title: Art: HIDDEN MASTERPIECES: Caravaggio's St. Jerome | 7/27/1959 | See Source »

...this, of course, takes us far from the lecherous nobleman of Mozart and da Ponte, with his thousand and three mistresses. (One suspects that the Don Juan story figures in the play less as its actual inspiration than as a unifying device, a splendid resource for theatrical and intellectual trickery, and a handy handle to pick the whole thing up by.) It was not the sexual aspect of Don Juan that interested Shaw primarily. (Indeed, it was not the sexual aspect of anything, even of sex, that interested Shaw primarily, in spite of occasional protestations to the contrary.) "Philosophically," says...

Author: By Julius Novick, | Title: Man and Superman | 7/23/1959 | See Source »

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