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...four quarters, Sony had beaten financial expectations (though it wasn't always profitable). The firm was leaner, following more than 10,000 job cuts and the closure of nine factories. The consumer-electronics division was back in the black. And the movie studio was riding high, led by The Da Vinci Code. Meanwhile, investors had sent the stock up more than 8% through July. It was a nice vote of confidence for Stringer, Sony's first non-Japanese boss, who has probably acquired permanent jet lag traveling between Tokyo, New York City and his family home in London...
...help with the money for films have done this for a long time. And they know a lot about film, so it is great to have their input. THC: So it was the same as filming “Pi” or “Requiem”?DA: Yes, it was very much the same. You always have to interact with people that help with funding. And these guys knew a lot.THC: “The Fountain” is definitely not linear. Did you intend it to be cyclical?DA: Yes, of course. It was an integral...
...four quarters, Sony had beaten financial expectations (though it wasn't always profitable). The firm was leaner, following more than 10,000 job cuts and the closure of nine factories. The consumer-electronics division was back in the black. And the movie studio was riding high, led by The Da Vinci Code. Meanwhile, investors had sent the stock up more than 8% through July. It was a nice vote of confidence for Stringer, Sony's first non-Japanese boss, who has probably acquired permanent jet lag traveling between Tokyo, New York City and his family home in London...
...Science B-29 final exam; 2005). No doubt cheating would be rampant were it not for the fact that the TF moderating the exam vigilantly watches all 150 people in the lecture hall at once while he sits at the front of the room reading “The Da Vinci Code” (Brown...
...emigrated to the U.S. after the 1989 Beijing crackdown and now lives in San Francisco, where she is a leading figure in China's post-Tiananmen literary diaspora. Others include best-selling novelists like Ha Jin (Waiting) and Ma Jian (Red Dust), as well as newcomers such as Da Chen (whose Brothers came out in September). Like many of the American writers who decamped to Europe in the last century, these transplants write largely about their homeland. The Internet, satellite television and eased travel restrictions keep them abreast of life in China, but distance can give them a fresh perspective...