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...many surfaces in one area” according to the ICA’s “OBEY” brochure) while an undergraduate at the Rhode Island School of Design in the early 90s. His work was also brought onto the Harvard campus two years ago by Susan Dackerman, curator of prints at the Fogg Art Museum, in conjunction with the show “Dissent!,” which focused on the use of printing to express protest and subversive messages. Though none of Fairey’s works appeared within the museum’s galleries...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...lose a lot of the elements of the dialogue that the work is in on the street, so the work is no longer in juxtaposition to graffiti and billboards and street signs and traffic signs that create either an harmonious or discordant environment,” Dackerman says. “When [Fairey] realized it was going to be in a gallery he had to complicate images....added] pieces of newspaper and advertisements to create a dialogue internal to the work that on the street is a much more public dialogue...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...Dackerman also argues that Fairey’s commercial work should not necessarily be seen as detracting from his art. “I don’t think his commercial work undermines his other work; it supports it; it enables it to happen. The commercial work sometimes mirrors the street work but actually gets within the corporate structure...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...Addressing the reason why corporations might want to take on the images of an artist who was best known for his subversive, anti-establishment stance prior to the Obama campaign, Dackerman says, “I don’t think that Saks actually loses anything by circulating that kind of subversive imagery, and it makes Saks look hipper and cooler than it usually does...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...presentation was part of a series in which Harvard faculty speak about exhibits related to their fields at different Harvard museums. “President Faust demonstrated everything that they say about her being a terrific scholar and teacher here in the galleries today,” said Susan Dackerman, the museum’s curator of prints, who introduced the lecture...

Author: By Esther I. Yi, CONTRIBUTING WRITER | Title: Faust Interprets Civil War Images at Fogg | 11/5/2007 | See Source »

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