Word: dad
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Dates: during 1970-1979
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...many times have I got a chance to hit them and say, 'Hey, we're not free.' Not many. But TIME Magazine. They're not gonna get into that. They want to hear how I've got something rotten to say about Jane or Dad. Or how I've smoked grass. Or how I've taken LSD. Or how I've been busted. Or whatever I got to do, you know. Basically, what I'm saying is, why do the editors send all of you people to come with...
...remaining, the only question now is how soon he will reach the 3,500 mark. No one is more awed by Pistol Pete's sharpshooting than his father, Press Maravich, the L.S.U. coach. "Who would ever have dreamed," he says, "that that little kid who said 'Hey, Dad, give me a shot,' would do this...
...obscures the man. "Peter has made a career of not being repressed," says Susan Blanchard. But the career has gone from bullying waste to something measurable. His scenario for Easy Rider was sometimes self-indulgent. Its villains were as exaggerated and snarling as the overdrawn wrongos of his Dad's old oaters, and its bloody ending reminiscent of the Emperor Nero's desire to attend his own funeral. Today Peter has evolved an elaborate ambiguity to justify its action-comic wanderers, Wyatt and Billy, and the mindless violence of their redneck antagonists. "Dennis Hopper and I represent a complete misunderstanding...
...turned his hostility outward?toward the System. He has established a modest production office?where he arrives anonymously in a Volkswagen. His movie company, Pando, forbids the word star. "We have other words that concern us," he boasts. "We will make documentary films designed to overthrow the church, Mom, Dad and fashion in general." Such projects are unlikely to feature Henry?and possibly not even Jane. But then the family similarity is marbled with varied outlooks and insights. They are not yet the new Barrymores. "We're not a theatrical family," insists Peter. "Someone else may think of us like...
...much broader scale than just as an actor. Before, I felt stultified by the flick. You gotta hit this mark, you gotta remember which hand you pick this up in and which hand you put that down in. When I am conceiving the part, then I am the writer Dad was talking about. I have already thought about the part, so I am really doing all that thing myself. JANE: When it really works in the theater, then there is nothing more exciting than the immediate response from the audience. PETER: Orgasm...