Word: dada
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Dates: during 1930-1939
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...Armistice of 1918 gave free play to one memorable artistic movement-Dada. All perversity and insults to one school of critics, Dada seemed significant to others, who saw in its course from 1916 to 1924 a sensitive revulsion against a bad war and a bad peace...
...Dada intellectuals known best in Manhattan were Marcel Duchamp (Nude Descending the Staircase) and his friend Francis Picabia. Picabia, born in Paris in 1878 of a French mother and a Spanish father, began exhibiting landscapes in Paris in 1894, enjoyed official successes and easy sales until 1913, when he got fed up with success. Moving first to Manhattan, then to Barcelona, finally to Paris in 1920, Picabia poured out bucketfuls of Dada, including his noted Portrait of Cézanne, Portrait of Rembrandt, Portrait of Renoir, Still Lives (all this consisting of a stuffed monkey mounted on a board...
Distinguished by an almost total absence of Dada clutter and by a powerful employment of Surrealist scale, lighting and perspective, the montages were the work of 40-year-old Jose Renau of Barcelona. For two years Leftist Director General of Fine Arts, charged with guarding Spanish art treasures and with planning the Spanish Pavilion at last year...
...greatest Maya city in Yucatan, U. S. archeologists picked up in Mexico City an extraordinary character. Then 28, Artist Jean Chariot was in Mexico partly because his French family had had relatives there even before Maximilian tried to rule Mexico, partly because post-War Paris and Dada were not for him. A solemn-faced gamin, he went through 1917 and 1918 as a lieutenant in the artillery, won the welterweight championship of the French Army. In 1921 he landed in Mexico and went straight to work with the famed Revolutionary Syndicate of Technical Workers, Painters & Sculptors which, with Rivera...
...leader of the dadaists, later to be one of the most important surrealists, was a young German painter named Max Ernst. Cologne still remembers the dada exhibition organized by Max Ernst and Hans Arp in 1920. The entrance to the exhibition was through a public lavatory. Gallery-goers were given hatchets to smash any pictures they did not approve and a young girl in a white communion dress stood on a platform reciting obscene poems...