Word: dada
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Bergman caught the collecting bug in 1954, soon met Surrealist Wilfredo Lam and through him acquired an interest in surrealism. He also acquired Roberto Malta's Onyx of Electro, a key exhibit in the survey of Dada and surrealism opening this week at Manhattan's Museum of Modern...
SATIE: PIANO MUSIC VOL. 2 (Angel). Back in the days of Dada, Erik Satie wrote music scored for typewriters, airplane propellers, Morse tickers and lottery wheels. A Montmartre cabaret pianist, he was also a serious composer, puncturing the overblown romanticism of his time by turning out short wry works with such titles as Veritable Flabby Preludes (for a Dog), Disagreeable Sketches, and Chapters Turned Every Which Way. His 50-year-old tidbits still sound fresh and impudent, and are enjoying something of a vogue, due partly to their crisp presentation by Aldo Ciccolini...
...MERGE CUNNINGHAM, 46, Dropped-Out from the Graham company 21 years ago because of her "psychological drift." He didn't want a mother figure, he wanted Dada instead. Ever since, he has been one jump beyond the avantgarde. He was among the first American choreographers to use musique concrète, the first to leave the structure of a ballet to chance. He rehearses in silence so that his dancers will not be influenced by the music. Themes? "Supply your own," he says. Yet for all his seeming whimsy, Cunningham is a dancer and choreographer with serious intentions...
...accidents and not a few disasters. The movie is at its Rabelaisian best when it sticks to salacity, at its worst when it attempts sagacity by commenting on life's meaninglessness. In the West the age of the Theater and the Cinema of the Absurd has rendered such Dada as dead as the dodo. But in countries with a history of repressive censorship, nonsense undoubtedly serves a therapeutic purpose...
...long ago, Taylor, who studied and danced with Martha Graham for six years, was considered an avant-garde experimenter in choreographic Dada. He composed dances to the sound of rain, and once fashioned a piece in which a couple stood stock-still for four minutes. But in Taylor's Lento, one of the new pieces of his company's current season, his dancers weave gentle patterns to Haydn chamber music, as simple and charming as any moment from Les Sylphides. Another new work, called Agathe's Tale, commits an even stranger breach of experimentalist etiquette: it tells...