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...influences of Christianity, Marxism, and Freudism have "withered away," he said. Even interest in Surrealism is fading fast, with only Dadaism enjoying current favor...

Author: NO WRITER ATTRIBUTED | Title: Seminar Says Modern Literature Seeks to Restore Communication | 8/7/1964 | See Source »

...Kooning, Kline and abstract expressionism to England and the Continent. European critics at once recognized that the postwar New York school had the innovative strength, technical skill and independent-minded vision to go its own way without regard for the school of Paris-which, since the cubism, surrealism and dadaism of the first quarter of the 20th century, has contributed nothing conspicuously...

Author: /time Magazine | Title: The Market: Goodbye Paris, Hello New York | 7/17/1964 | See Source »

...vision and temper that link seemingly disparate and dissonant works of art. The bewildering array of influences and counterinfluences in contemporary art, from the School of Paris to the New York School, from abstract expressionism to symbolic African primitivism, from the revival of art nouveau to the revival of Dadaism, all seem to call for a Rosetta stone, a hieroglyphic key to release meaning from mystery. Dokumenta III comes close to being that Rosetta stone...

Author: /time Magazine | Title: Exhibitions: Rosetta Stone at Kassel | 7/10/1964 | See Source »

Erik Satie was the court musician of Dadaism. He swooped around Paris in the belle époque of the 1900s with a lighted pipe in his pocket and could be seen most afternoons in the cafés with his pocket gently smoldering. He pronounced himself Pope of the "Metropolitan Church of Art of Jesus the Conductor," issued blizzards of encyclicals and excommunicated unfriendly music critics. He cheerfully orchestrated his music for airplane propellers, lottery wheels and typewriters-and occasion ally delivered it to his friends in the form of paper gliders. He also wrote a little work for piano...

Author: /time Magazine | Title: Recitals: Shoot the Piano Players | 9/20/1963 | See Source »

...time, adding to each a fast-growing repertory of stock techniques: the placement of the curious (whether an object, texture or color) next to the ordinary, the abrupt disordering of space, an almost mannerist play of light. He jumped like a child at hopscotch from Fauvism to cubism to Dadaism to sur realism, but it was Dada that shaped him most. He was one of the few American members of the original school, and for him it never really died: his determined disrespect for the materials of art and deep attention to the ideas that art can shape lend...

Author: /time Magazine | Title: Art: Grandada | 5/17/1963 | See Source »

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