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...intellectual ferment that was Paris in the Twenties burst many strange and sometimes wonderful aberrations. The grand synthesizer of some of the best of these artistic movements was the little magazine "transition." Published first in April, 1927, "transition" found the inspiration for its early daring in dadaism and surrealism but soon developed its own literary philosophy...

Author: By Daniel B. Jacobs, | Title: Dreams from the past | 2/23/1950 | See Source »

...have been shed both subtly and cataclysmically. Ideas such as those of Freud which had been around before the turn of the century invaded thinking they had never been intended for. Loss of faith in reason spread to the painters and poets and eventually evolved into such aberrations as Dadaism and Surrealism. However, these were the sensitive areas, and the folks in Sauk Center, Minnesota had not yet been moved by it at all. Joyce had to build upon an ancient myth to get any order into his world, but most of the more modern myths still persisted...

Author: NO WRITER ATTRIBUTED | Title: The Lost Illusions | 1/5/1950 | See Source »

...makes little difference where one studies the record, whether of surrealism, dadaism, abstractionism, cubism, expressionism or futurism. The evidence of evil design is everywhere...The question is...who has brought down this curse upon us; who has let into our homeland this horde of germ-carrying art vermin...

Author: /time Magazine | Title: Art: Red Plot? | 8/29/1949 | See Source »

...course in "The Development of Romance Culture" could cover a topical range from national heroic poetry such as La Chanson de Roland and the Cid through Dante and Victor Huge to realism, naturalism, dadaism--even existentialism. One member of the Department's staff envisions "high selectivity" and a departure from the customary survey course pattern stressing detailed names of books and authors. "From the specialist's point of view it would all be superfluous," he ventures, but who cares...

Author: NO WRITER ATTRIBUTED | Title: Missing Link | 10/25/1947 | See Source »

Underwear without Picasso. Rand's ads are sometimes as pristine as good abstract painting, sometimes as jumbled as Dadaism on an off-day. But unlike many frustrated ad artists who like to paint "the real thing" on Sundays, Rand believes he can put his art into ads. Generally, a Rand ad looks disarmingly simple when done, but obviously took a lot of thinking. "Briefly," he explains in his book, "the designer experiences, perceives, analyzes, organizes, symbolizes, synthesizes." Rand is against "using Picasso to sell underwear," believes that "to design a liquor ad you should know what...

Author: /time Magazine | Title: Art: Esthetic Ads | 12/23/1946 | See Source »

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