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...caught in the entrepreneurial act. One pitchman recounts a conquest he made by sitting, silent and motionless, for 22 minutes in his customers' kitchen. Another salesman flimflams his client with a hilarious spiel about life, existentialism and the pleasure principle; the monologue has all the narrative logic of Dadaist graffiti, but it whets the appetite, clinches the sale, sets the sucker up for the kill...

Author: /time Magazine | Title: Theater: Pitchmen Caught in the Act | 4/9/1984 | See Source »

...director of architecture and design, Arthur Drexler, refuses to mount a Memphis show at MOMA. Says he: "Announcing that it's all deeply philosophical gives the media a peg to hang it on. But it's only a mix of California funk, 1920s Kurt Schwitters [the German Dadaist], and a few things that have been lying around unclaimed." Still, Ben Lloyd, an editor at Metropolitan Home magazine, speaks for many in the design world when he states that "Memphis has made furniture much more politically interesting than before...

Author: /time Magazine | Title: Design: Wild Beat of Memphis | 3/26/1984 | See Source »

SITE at first made paper waves. It flooded art and architecture schools with publications expounding the Wines-Sky message and with exhibits showing unbuilt projects, mostly of buildings blending, melting, seemingly dissolving into their surroundings. The word "de-architecture" was often used. Dadaist Marcel Duchamp's name was frequently cited as an inspiration...

Author: /time Magazine | Title: Design: The Bricks Come Tumbling Down | 11/28/1983 | See Source »

Taboos are made to be broken; one sees today why Pearlstein was interested in an artist so totally unlike himself, the Dadaist Francis Picabia, who conceived his work as a constant affront to received taste. Painting the studio nude, Pearlstein declared allegiances very different from those common in the New York art world of the late '50s. In neither hedonism nor irony nor self-expression, he wanted to go back and start from Gustave Courbet, painting the naked body in a spirit of detached, colloquial reportage, as though all the proscriptions against figure painting had lost their magic...

Author: /time Magazine | Title: Art: A Roomful of Naked Strangers | 8/22/1983 | See Source »

DIED. Louis Aragon, 85, engaged and engaging rebel, homme des lettres and uncrowned laureate of French Communism; in Paris. A Dadaist and co-founder in 1919 of surrealism, Aragon was a decorated hero of two World Wars, revered especially for the ringing patriotism of his 1940s Resistance poems. Slim and elegant, he uncorked his rhetorical gifts irrepressibly: in art criticism, in labyrinthine, sometimes brilliant novels (The Bells of Basel, Holy Week), in often romantic poetry, but most vigorously-and to some incongruously-in essays, books and political activism championing Stalin...

Author: /time Magazine | Title: Milestones: Jan. 10, 1983 | 1/10/1983 | See Source »

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