Word: dadas
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Richard Lindner's art comes on with the blaring oompah of a brass band. His subject is people-notably women. They are overripe nymphets whose hearts belong to Dada. Emblazoned in garish circus colors, more powerful than comic-book Supermen, his colossal caricatures loom like contemporary Baals...
...against a permissive society with no settled faith of its own, they often seem driven into intellectual dead ends or fragmented tantrums of defiance, fighting unseen gusts that are perhaps not there. It is hard to be different among crowds of other people trying to be different. In the Dada decade, Marcel Duchamp could shock people by exhibiting a urinal turned upside down and calling it Fountain. Seeing it for the first time today, hardly anvone would flinch-although a few might try to flush...
...cavalry doctor with the 11th Cuirassiers during World War I, Raymond Duchamp-Villon knew equine anatomy well. As a sculptor, and one of the triumvirate of brothers that included Painter Jacques Villon and Marcel Duchamp, a founder of Dada, he was familiar with the idea that the horse gave aristocratic stature to its rider and had long been the very symbol of man in power. With the beginning of World War I, Duchamp-Villon foresaw that the power of the horse would metamorphose into machine power. The result was his Large Horse...
...seashell; or a case containing 15 shot glasses called Petite Musée. They are all symbols shorn of obvious symbolism, junk treasured to jangle the imagination. The work has roots in the cubism of Braque, where newspaper clippings were glued amid the oils, and branches embracing the Dada of Marcel Duchamp. But Cornell's intent is neither to fracture space nor make satire...
...sculptures; of a heart attack; in Basel, Switzerland. Born in French-German Alsace, Arp was nourished in both countries-in Munich in 1912 he studied under Kandinsky; in Paris he worked with his friends Picasso and Modigliani. More for fun than anything else, he was a founding father of Dada, the 1916-22 Bronx cheer that razzed tradition and called it art; yet his own, very personal statements were serenely curved marbles and bronzes...