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...intense.” Petite, with delicate features and clad in a festive red sweater, this adjective seems inappropriate upon a first glance of the famed dancer. But one look into her bright eyes, perceptibly curious and insistently alive, and it is easy to understand their impressions. Dakin is currently a Fellow at the Radcliffe Institute for Advanced Study, and will be performing with the Harvard Contemporary Dance Ensemble this weekend. When asked how she would introduce her solo, a Martha Graham piece entitled “Lamentation,” she responds simply: “I wouldn?...

Author: By Amanda C. Lynch, CONTRIBUTING WRITER | Title: Dakin Sounds Off on Harvard Dance Scene | 12/7/2007 | See Source »

...presented by the Office for the Arts at Harvard (OFA) at the Harvard Dance Center this past weekend. The program featured discussions with Berensohn, a philosopher and so-called “deep ecologist” at the Penland School of Crafts, as well as performances by Christine Dakin, artistic director laureate of the Martha Graham Dance Company, and Rachel A. Cohen ’96, founder of the performance company Racoco Productions. The interdisciplinary program exposed potters and dancers to each others’ artistic experience. As David J. Tischfield ’09, a ceramicist who runs...

Author: By Anna K. Barnet, CRIMSON STAFF WRITER | Title: Clay and Dance Merge in Joint Program | 10/25/2007 | See Source »

...Fosse’s protégés,” says Larson. The other “restagers” have their own unique connection with the work of the famous choreographers showcased in “Dancers’ Viewpointe VI.” Christine Dakin was the principal dancer and artistic director of the Martha Graham Dance Company and is currently teaching Dramatic Arts 25: “The Artist Revealed: Martha Graham’s Work and Creative Process;” Heather Watts was a former principal ballerina with the New York City Ballet...

Author: By Kyle L. K. Mcauley, CONTRIBUTING WRITER | Title: A Rare Puree of Pointe | 4/22/2006 | See Source »

Adriana P. Dakin, a second-year student at the Kennedy School of Government, says she comes to Wednesday tea to enlarge her social circle...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: Tea Time with the Rev. Professor | 12/11/2002 | See Source »

...rare to see comix used this way. Glenn Dakin's early Abe stories ingeniously fold conventional comicbook narrative, superheroes and sci-fi, into works of whimsy and reflection. His subversive use of a superman icon pre-dates Chris Ware's similar usage (though without the bitter irony) by more than a decade. Then by the early nineties he uses comix in wildly experimental ways, mixing poetry, philosophy, fiction and non-fiction into a totally idiosyncratic vision. "Abe: Wrong for All the Right Reasons," finally allows Americans to see what they've been missing...

Author: /time Magazine | Title: Keeping it Quiet | 1/15/2002 | See Source »

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