Word: daly
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Dates: during 1970-1979
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...week. He was 90, and his death removed one of the last connections between our day and the formative years of modern art. Nearly all who created the modernist vocabulary between 1900 and 1930 are dead. Four remain: Marc Chagall, 91; Joan Mird, 85; Sonia Delaunay, 93; and Salvador Dali, 74. None have produced much work of consequence in recent years; posterity will not have time for late Chagall or post-1939 Dali. Nevertheless, De Chirico's career was so uneven as to have been unique. His impact on art would probably have been the same if he had died...
...Chirico produced a series of images?his pittura metafisica, or metaphysical painting?that altered the history of modernism. His empty colonnades and squares, populated by statues and shadows, exerted a vast influence on the growth of a specifically surrealist art. Max Ernst, René Magritte and Salvador Dali all paid homage to the liberating power of early De Chirico. He seemed to have made the actions of the dreaming mind more accessible, vivid and poignant than any other painter. "If a work of art is to be truly immortal," he explained, "it must pass quite beyond the limits of the human...
...dangling, half-open mouth, he looks as if he would be afraid to kill a mouse with a trap, much less joust with a man in armor. The sets are also symbolic, rather than realistic-sculptured trees, cardboard castles, painted skies-and they have the strange beauty of a Dali painting. But the beauty quickly palls. Rohmer's films have always been an acquired and sometimes peculiar taste, like snails. Even for diehards, however, Perceval may seem, alas, more like tripe...
...kitsch factory, turning out relentlessly sentimental icons of mid-cult virtue?family, kids, dogs and chickens, apple pie, Main Street and the flag?in the corniest of retardataire styles. But to most of them, Rockwell was a master: sane (unlike Van Gogh), comprehensible (unlike Picasso), modest (unlike Dali), and perfectly attuned to what they wanted in a picture...
...terms (those of dandyism, revolt, love, dream and myth) rather than judge them by official "painterly" standards. As a result the show goes further into the labyrinth than any retrospective for years on writers like Andre Breton, Paul Eluard, Louis Aragon and Antonin Artaud, and such painters as Dali, Ernst, Miro, Magritte and Alberto Giacometti...